Wryson’s Eternity

by: Shehanne Moore

As a huge fan of Shehanne Moore’s spirited, independent female characters in her period romance novels, this book has been long awaited.

“If it is worth having, it is worth waiting for.”Oscar Wilde

Oppressed & beaten by a beastly husband (Baronet Byron Jones), Lady Jones flees. To afford her vagabond lifestyle, she engages in petty thievery, lying, sleeping in forests and dealing with the less than savoury.

I now realize the hat is scripted black.

As she uses her coat like a tote bag for her nicked loot, I figured a man’s frock coat would have large pockets and the roominess required.

Shehanne – I just love the coat and hat. So her. I do love you calling her coat the ‘nicking coat.’ The woman lived rough for a bit.

ResaThen one day, she haps upon a deserted cottage; where Gil Wryson haps upon her.

Shehanne – And that was it, but she had to like the wee life she’d set up for herself in Pencliff enough not to bolt and go back to the awfulness of life on the road. AND everything…even the way the mail worked and money worked with regard to banks in these days– all the things that made her life so difficult on the run– fitted..

The Ball & the Gown

In terms of defining what Eternity might wear, I looked at the out going Georgian era and the incoming Regency era.

Resa I was tortured waiting! Was the ball in, or out? Why did you end up putting  the Ball in, and how did it serve the story?

Shey – … Okay Resa, well the simple answer to why I put it in, having decided for her to leave beforehand,  is YOU. Yeah, there you go. I thought about the fact that I’ve a ball or a dance/party, or a feast/dance  in quite a few books and these are tied with pivotal  moments in the plot.  

I also thought if she leaves  after saying she’s going, then he is going to find it hard to forgive her–they have somehow come together in the planning and prep for  this ball. And she has  a huge reason to quit while she’s ahead here in terms of news she gets that very day. But then I thought of you and the beautiful gowns you have designed for my ladies down the years and I thought what is a book without a ball and what is a ball without one of your gowns?

My first thought of the ball gown.

 Shehanne -I also thought when it comes to Wryson ever forgiving her, when it comes to  her thinking, she just might have  got something in the bag, with regard to  ‘the future?’ Him too. ’Well? That ball then sets up everything in terms of her state of mind as she goes to tackle what she must  tackle. It paves the way for how she is only paying half attention to what she really needs to have her eyes fully on because she’s let something into her life she can’t let in.    

Shehanne – It let me trowel on a bit of passion and anguish and quite a mess, shall we say, regarding what happens next? Things she feels responsible for, secrets she is going to have to keep, things about herself,  she doesn’t know she can overcome.   SO yeah, I think sticking to my original plan would have been wishy washy.

ResaWhen her ball gown was first spotted in Gonetta’s, before I read on to any description of the gown, I immediately saw the green one in my mind. 

Shehanne – OOOOHHHHHH… the one Wryson had to pay from Gonetta’s cos she’d have nicked it otherwise.

ResaYES, the one Wryson pays for – BUT – it is the image I got in my mind (being a costume designer) before I got to the parts where you describe the gown – a backless cream gown. . Can you believe how different our visions are? What do you think about that? 

Shehanne – I think it is great actually that the visions were different. It said to me that you were really picturing her–and green is a noted color she wears. I imagined  she was drawn to the shop  and it reminded her of past balls, even if the main one she remembers was the night she got pitched into a Turkey oak, after first chucking herself at the man she loved.


--this is backstory before Wryson lands on her doorstep--

It reminded her of not living  hand to mouth on the road. So she wandered in and got herself a fitting with the intention of   dancing  on her own in Dark Falls--which we know she does-- in that gown.

Alas it defied her nicking abilities. But she probably told herself she could maybe nick the dosh. She’s very good at NOT getting things done too. But being her she probably got fitted for more than one.

So it was kind of deliberate on my part not to describe the gown at that point, because she is also capable of going there and nicking some other  gown off a rail of made but not paid for gowns.

ResaI honestly like your gown better. What do you think about that?

Shehanne – What can I say but awwww…. truly, and you know a description can always be changed in a book.

ResaWell, I am thrilled you had a ball. It is a pivotal bit, and if it was a movie, the big money beauty scene. Of course the carriage bit is the big money stunt scene.

Shehanne – Alas, I always see book scenes as movies. One of my fav freelance regular writing gigs ever was for girl’s comics for DC Thomsons. YOU HAD TO WRITE IN STORYBOARDS. YES!! So many frames per episode, dialogue/thoughts and instructions to the artist only on each frame. Always end with a cliff hanger.

Back in London

ResaHere are the drawings, for court & carriage! The full skirt outfit would have already been in her closet before she escaped. The other, would be a new dress, the latest Regency fashion.

Shehanne – Yes, I forgot she has a fancy new coat for the court scene, her ‘other’ fellah having had enough of her special one.

Shehanne – It is what I imagined… Fashionable, dressy because she would need to be both and not look like  a ragbag.. There is the bit about Billy having taken her famous coat —obvi she left the cottage in that coat and he would have seen to it that she got some decent clothes  in London. And yes the first would have been the kind of dress she’d have worn to balls before and during Byron.

Inspirations

ResaSo I was inspired to draw Eternity in a metaphoric sense. I had thought “Hair of flames” because what comes out of her mind and mouth is so fiery, literally, but this came out of me. Did I capture her in that metaphoric sense?

Shehanne –  You have captured her perfectly. You always have the sense of my ladies but she’s off the scale in many ways.

She’s wild, she’s free, she’s guarded, she’s bruised, she’s moody, she’s mouthy.  She walks tightropes when it comes to functioning. She is her own worst enemy, Above all else she is a survivor and it has been of some horrific things. She is really very difficult and you have amazingly captured all of that.  Wryson is of course not in the best of places himself, but even if he was he’d still be emotionally confused by her.

ResaYou recently posted about Mary Eleanor Bowes, the great-great-great-great-grandmother of Queen Elizabeth the Second. At 11, she was left the richest heiress in England, between 80 and 120 million in today’s terms.  Twice married, she was beaten, burned and more by her husbands.

Shehanne – I thought I’d blog a little of some of the inspirations cos I started as I aye do, with no plot just the idea of picking up the woman who makes a very fleeting, at a distance, appearance in “O’Roarke’s Destiny” and setting her in an abandoned house cos I love abandoned houses.

“Suppose she is sitting there and passing herself off as whatever and then Wryson turns up and says it’s his house,” I thought. Then I obvi had to suss it out from there and I also thought at that point of the dreadful hubby and the unhappy countess.

Read about Mary Eleanor Bowes on Shehanne’s blog

Shehanne – Despite a descendant marrying into royalty and giving birth to Elizabeth 2nd, the story is not THAT well known. But it is interesting on so many levels. I primarily used the violent hubby because I needed a reason for Lyon to have a hold on her.

ResaYou built a strong, feisty female character, in a time where women had no rights. It’s inspirational.

Shehanne– You are right re: the lack of rights. I gather that Mary was not sympathized with because of the lovers, because of a lot of things she did and it was something that she actually got a ruling in her favor.

About Shehanne Moore

I christen all my characters with care. I actually love thinking of what their name is going to be.

Wryson’s Eternity is available on Amazon. Just click on the book cover and go there!

Shehanne – I did do a play list for the story… it is a bit long, possibly the longest I’ve done for a book play list.

ResaIt’s a fab Play List. If anyone cares to listen just click on the enhanced drawing of Eternity on the right, and it will take you there!

From Shehanne’s Play List!

🌟🌟I have read all of these fab Shehanne Moore Books. 🌟🌟 Just go to an Amazon anywhere, to find them!

The Sad Café II

Featuring poetry by Holly Rene Hunter

& Allegorical Drawings by Resa

There is music. The cafe is filled with revellers. Their drunken laughter is loud, but the seasons slip away, and they need something to remember.

A year has passed, and I still light my candles for the window and hope fades like summer into fall.
The mirror has no mercy, a reminder of all that has passed through these hands. There is no holding back the past or what lies ahead.

The night deepens as we raise our glasses to the seasons of honey and fire and the aching memory of lovers slipped away.

Snakes and Metaphors

suspended

At the top of the stairs the hours pass hurriedly, lovers flee the break of dawn.  Subdued seduction , silhouettes in flickering candlelight.

In black tie and silk gowns, the bourgeoisie sip cognac , exhale circlets of smoke from cigarillos into the softly whirring blades of a bamboo fan.

The walls are thin and the wood floor is bare. Music drifts upward, slips under my door, “La Vie En Rose”, the sighs of desperate lovers , their bodies pressed against one another. 

At my mirror I braid silver thread through my hair. Should the Frenchman return I am wearing the dress he likes. Last night he signaled with a stone at my window . 

He has taught me how to say I love you and other endearing terms in his tongue. 
At the hollow of my throat I dab a bit of the perfume he bought for me in Berlin. I’m not sure that is true but I like the scent.

He wants me to follow him but he is not my kind. The weak can not survive love that is bound to die nor can they forgive.

All Poetry © Holly Rene Hunter – Visit House of Heart to read more of her fabulous poetry!

All drawings © Resa McConaghy

Thank You!

Holly for contributing your luscious poems to this collaboration & to Gigi for being the hallway model (where the music notation is actually the first 5 bars to La Vie en Rose).

Thank You Teagan

Dahlings, welcome to Teagan’s “Reinvention Series”! I am honoured to be her third guest.

One thing about gathering the reinvention pics is one does go back over a part of a life. Lots of reflecting ensues. For me this has been a positive experience. So head over to Teagan’s and check it all out!

To kick things off, Teagan’s Reinvention Androids put on a fashion show for us. One good show deserves another! So, here’s a retro collection of Art Gowns drawings – just for fun!

One Door leads to the Other

The Invitation?

It was a nothing, no where, no how day. No one seemed to know who sent the invitation?

Up for adventure and treasure, Genevieve donned her favourite party dress. Arriving at the address on the back of the invite, she found herself in beautiful garden that lead to a porch with 2 cats on it.

Image © Teagan R. Geneviene

She stood in front of the door on the left, and wondered if it was the right one to knock on? This One, or the Other?

Using the knocker, she rapped on the left door, the one she was standing in front of.

The door opened, she walked in and suddenly began to feel herself fade.

South Africa

A few seconds passed, and Genevieve began to feel herself recover.

But where was she, and why was she in new gown?

A beautiful woman in another fabulous gown informed Genevieve she was at a wedding, in South Africa. It was very special, and being held at….

“Helen Martins’ Owl House, an extraordinary, other-worldly home of concrete and ground glass sculptures in South Africa.

She was gifted turquoise-blue glass beads made from left over bits of glass.

It was a wonderful party and she danced what seemed forever under the blue celebration sky. Then someone took her hand.

Photo © Robbie Cheadle

They said “come, come see”, and they walked through the door of the outside room.

Whereupon Genevieve found herself in blackness.

Tokyo, Japan

As darkness yielded to light, she found herself wearing an elegant kimono with obi.

It didn’t take long for her to realize that she was in …

The Mori Art Gallery which Robbie had visited while in Tokyo. It featured a giant spider sculpture by Louise Bourgeois.

Photo © Robbie Cheadle

Suddenly the giant creature came to life. Like a gargantuan thin, wiry Godzilla it began to attack, sending people fleeing out of the door.

Genevieve began fleeing, then espied a massive red net, just outside the door.

She grabbed the net, and deftly threw it over the spider.

After finishing off the spider with a few martial arts moves, she began feeling cold. She became so cold, she began turning blue.

El Palazzo dei Pinguini

Genevieve was in a blue frozen land at the bottom of the earth.

She walked with 2 Pinguini through a door and into an ice manor.

Image © Teagan R. Geneviene

She adored the Pinguini. She held them and hugged them and kissed them.

The Pinguini gave her an icy blue velvet gown, a boa made of snow and diamonds made of ice. Genevieve was made Principessa del Pinguini.

Principessa del Pinguini.

She never felt so warm.

Through frozen tears, she told the Pinguini she could not live with them forever. She asked them if they could help her get home?

Sad as they were, the Pinguini told her to look up into the sun!

As she looked up, she felt a ray of sun capture her.

Treasures

Next thing Genevieve knew, she was back on the porch, by the garden. Her treasures surrounded her: Ice diamonds, a snow boa, glass beads and an obi.

She had gone in One Door and come out of the Other Door. Genevieve was back where she had started. In the end, One door led to the Other.

The snow boa and Ice diamonds began to melt, yet she was happier than she had ever been.

It was evident that things were ephemeral, and that the only lasting treasures were inside her memories; inside her mind and heart.

A Thank You Rose to Dan Antion!

Visit Dan at the Annual Doors 2025 Challenge! OR Check out his fab blog in general!

Teagan, thank you for your doors and the inspiration they fostered!

Visit Teagan!

Thank you Robbie for your fab doors from your travels, and the ingenuity they delivered.

Visit Roberta Writes or Robbie’s Inspiration.

Quote by Jim Morrison

Helen Martins Owl house & Mori Art Gallery sentences are hot links.

All outfits are one-of a kind designs hand-made by Resa.

Except Doors images, all photos are © Resa McConaghy.

Of note: Opening party dress is made from a batik silk scarf made by my m-i-l, Yuki (RIP)

Kimono fabric is from a 100 year old piece made from pineapple strands – A gift from Diana (Myths of the Mirror)

La Belle Époque 

In America it was the Gilded Age, in the United Kingdom it was the Victorian era and in France it was La Belle Époque.

Dahlings, Welcome to the 1880’s

Inspired by Tissot’s fashion prints of the era, Art Gowns has designed its own gowns, and gone back in time to show them off. Made possible by Venus and the moon, we went through the the Tangle-Heart and moved backwards 137 years.

Rebecca, the first to land in 1888, went about setting up a fashion show at Le Chat Noir. Her palazzo pants, carefully hidden by the period’s draping fabrics, allowed her to move around without arousing suspicion.

The venue was a one night extravaganza at La Chat Noir in  the Montmartre  district of Paris.

Thought to be the first modern night club, it was opened on 18 November 1881 and closed in 1897.

NOW, Here’s Rebecca!

Thank you, Rene! We have a thrilling show tonight, so let me get right at itand present les beaux modèles de la Belle Époque!

First out on the stage is Modèle de Robes d’Art, Shey. Shey is dressed for afternoon tea or “gouter” as known in Paris. Her fan’s print is inspired by the new Japanese aesthetics.

Next out is Gigi dressed for a night at the theare! Her asymetric ruffles play second fiddle only to her Statue of Liberty inspired diadème.

Now, back from her gown change is Mademoiselle Rene with a very Special announcement!

Thank you, Rebecca! Mes Chéris, all of us at Art Gowns put our design hats on and created a special La Belle Époque Super Hero outfit for Princess Blue Holly. Art Gowns presents:

Princess Blue Holly in la Belle Époque Super Hero Outfit

What an honour! Thank you to all! This is a momentous outfit! I love the boots, and they only take a half hour each to button up.

It must have been very difficult to be a female Super Hero in the 1880’s. So much beautiful fabric would make flying a bit of a challenge. Snagging would be an issue and the corsetry is somewhat confining when delivering the martial arts moves.

Check out the Freedom difference between 2025 and 1888! ……. aaaand back to Rebecca!

Thank you Princess Blue Holly! You look simply marvellousThat is one special outfit.

Perfect for taking the carriage to the fashion shops, Dale wears a travelling jacket of pinstripe twill, with brocade fishtail skirt completed with a voile tail under a ruched and layered silk bussel. A dainty reticule is the perfect accessory.

It’s a sunny day and Rene is back in another costume change. This is a miracle considering all the buttons she had to do up, as the zipper was not invented until 1917. She is off to the museum with a rose detail parasol and rose reticule.

It’s “dinner at eight” and the opera for Modèle de Robes d’Art, Marina. A rose print corset top with a panière effect from the waist to hips is a lovely accentuation to the fitted fishtail skirt.

Holly is off to a fancy party in white silk with red ruffle corset top and a skirt of silk Swiss dot. A lush red bow sets off the rose detailed bussel and tail with ruffles on the inside and out.

I’m sad to say the show has come to an end, buts let’s hear it for Mademoiselle Rene, who shall bid you adieu.

Mes Chéris, bon soir! We hate to leave, but it’s time to return to the future! Please enjoy Arabesque No.1 by Claude Debussy, while the beaux modèles de la Belle Époque make their departures.


No one saw when the AGM’s made their way back through the Tangle-Heart as contrails. All landed safely in the Bosque by Tim’s.

However, as Rene began her journey to the future she encountered a strange energy.

She landed back at Tim’s in Rebecca’s Black Bamboo, but she wasn’t herself, nor all there.

No one was worried! All were sure Princess Blue Holly would save her.

However and unfortunately, as you and I know, Rene IS Princess Blue Holly!

Princess Blue Holly & Rene Rosso Character © Resa McConaghy & Holly Rene Hunter

Since 2019

Visit them on their blogs!

Dale HollyGigiMarinaShey

Visit Rebecca!

Visit Tim At Off Center Not Even

Tissot – 2

This is the painting that lured me to the exhibit.

The Convalescent -1872

This young woman’s housecoat, patterned yellow pillow and tropical plants were introduced to Europe via colonial conquests in the southern hemisphere.

Juxtaposed to these items that signify the speed of travel, trade and fashion are the middle class woman’s long slow hours of recuperating health.

The Seasons

Tissot drew on the art historical tradition of women and natural cycles; ie. young women and spring.

Ippitsusai Buncho (Japanese, active 1765 – 1792), Kabuki. Segawa Kikunojo in female role of Ohatsu in“Yoni Osaka Nitsuino Myoto”

The elongated form, and stylized blades of grass in the foreground shows the influence of Japanese woodblock prints.

Spring Morning (1878)
Spring (1878)

Limiting the number of prints to a plate (which adds value through scarcity) was unusual prior to the second half of the 1800’s.

The simplest way to cancel a run is to rut the metal plate with deep lines.

PRINTS MADE BEFORE & AFTER PLATE CANCELLATION
Summer (1878)
October (1878)

“He also depicted women in current fashions, presenting them as both timeless and contemporary.”

Despite the racial diversity of Europe at the time, Tissot’s artworks focus on white women.

The Thames

This image of a naval officer cruising the polluted Thames River with 2 women (Must be prostitutes!) was deemed “thoroughly and willfully vulgar”by a critic.

The Thames (1876)

The British saw this as immoral French art, which included Impressionism.

Emigrants (1880)

Tissot captured the global flow at bustling ports along the Thames.

This print highlights the artist’s expertise in capturing nautical scenes.

Tissot had an infinitude for portraying women in ambiguous situations.

This emigrant woman leaving a ship with her baby makes one wonder where her journey will lead.

Souvenirs of the Siege of Paris

This collection recounts Tissot’s time as a sharpshooter with The French National Guard during the Franco-Prussian War (1870 – 1871)

Foyer of the Comédie-Française, Recollection of the Siege of Paris (1877)

Tissot’s images of dead or ailing men depict specific historical events and locations. They were viewed by Victorians as accurate reportage.

La Frileuse

Kathleen Newton (1854 – 1882)

Kathleen Turner was a young Irish divorcée and mother, who lived with Tissot in London until her early death at 28 from tuberculosis. Tissot often used her as a model.

Tissot’s prints were affordable, attracting middle-class and international buyers. His Victorian themes were adored and his prints circulated the globe, amassing the artist a small fortune.

The Women of Paris

Following the death of Kathleen in 1882, Tissot returned to Paris.

Tissot exhibited 15 paintings and a corresponding print series of modern Parisian women from different social classes, each accompanied by a short essay by a prominent French writer.

Critics panned the show as behind the times. They claimed he painted “the same Englishwoman” repeatedly.

“Following the critical failure of his exhibition, Tissot never focused on the theme of modern womanhood again.”

Shop Girl (circa 1884)

Photos taken © Resa McConaghy – January 7, 2025

Art Gallery of Ontario, Toronto, Canada

Source material – Art Gallery of Ontario