While waiting for Hyperion to answer the call that she sent out via Resa’s Tree, Princess Blue Holly (aka PBH, Blue Holly & Princess Blue) morphed into her Cheetah outfit!
“Princess Blue, you’re so cool, NOT, with all your magic changes. HA! cough … hiss … cough! PBH is Peanut Butter Holly to me. You’re nothing but mush… cough!”
No wonder Hyperion wasn’t answering! Princess Blue Holly remembered that Resa’s Tree had been frozen by Evilomlap, into an artificial winter. She couldn’t use her Tangle Heart, he was onto it, and had used it to lead her to his lair.
Blue Holly suddenly heard Marina’s invisible whisper. “Use my Pear Tree! It’s incognito, hiding between Dr. Huey and Melody Parfumee rose bushes. Pruned to a point, it should get through to Hyperion. Evil can’t find it!
Evilomlap wound his length around Princess Blue, squeezing harder and harder. Princess Blue surrounded Evilomlap with her spiked leaves and poison berries. Stalemate!
This was the moment of truth. Princess Blue Holly could not last forever in a stalemate. With all the might of her telekinesis she could muster, she called out to Hyperion and felt him finally answer. She could feel her inner dragon welling up as Hyperion calmly guided her Special Claw Glove to pierce deeply into Evilomlap’s scaly flesh. In desperation, Evilomlap buried his fangs into her ankle, and injected his virus venom.
Princess Blue Holly winched in pain and held on as her inner dragon forced the virus through her and into her Claw Glove, injecting Evilomlap with his own viral poison.
As the virus coursed through Evilomlap Etagloc, he turned blue, was frozen by his own venom and rendered into the very frame he had intended to imprison Princess Blue Holly within. Checkmate!
Once Evilomlap was imprisoned, Resa’s tree was freed into a new magic realm.
The distorted path upon which PBH’s Tangle-Heart had beaconed from far away, straightened out. Her Tangle-Heart was back in focus.
Tangle-Heart led Blue Holly through the Paris night, back to the Moulin Rouge. With the Art Gowns models restored and dressed for the next number, PBH segued into Rene Rosso.
Did you ever feel like making an Art Gown about the Tango?
If so, you may be thinkingpassion, desireand poetry in motion.
Those words also perfectly describe the prose of Holly – House of Heart. Art Gown Velvet Tango is dedicated to her. Holly, I hope you just love this!
Gigi (Georgiann from Rethinking Life) wrote some Tango poetry. With Gigi’s permission to use these pieces with an Art Gown dedicated to Holly, I began an epic 5 month building of Velvet Tango.
Holly thought a Tango gown could be black, red and silver. So, I immediately began deconstructing a red, 25 year old synthetic velvet coat that I never wear.
In the rear of a fabric jobbers, I found an old rayon bengaline lining for $4.00/yard. It was a splurge, but I bought 4 yards.
Tango dresses can feature lots of asymmetry and legs for days. Unfortunately, Judy has a metal pole and 4 wheels. I didn’t cut into the fabric. Instead, I began at one side of the Judy, and draped the fabric right around. This created a massive tail off to one side, the feel of asymmetry, and the need for 20 release darts.
The unorthodox drape I had done left a huge gap in the centre back. Fortunately, an old friend found my blog, and sent me 14 pounds of old, musty and Art Gowns worthy fabrics. I found a toned down red that fit into the back space.
There was enough leftover to interline some red lace to fill a quarter front panel slit. Some of the lace was made into flowers. Using a silvery sage scarf from my stash, and an old silver grey dupioni silk dress, leaves were formed.
Easy as pie!? Here’s the classic front, back and side shots.
He was kind enough to submit this Tango video for the post!
Historically the Tango is a dance of slaves and poor, and was fueled by the emotions of young men who immigrated to Argentina to find a better life. Click on the pic below to read a page on the history.
Darlings! Rene Rosso here, in a suit! Can you believe it?
However, it’s an Art Gowns suit. So when Holly and Resa asked me to host this post, I said “okay!” Still, how did this happen? Well, there was no multi-medium paper at the art store. Resa had to buy a sketch pad.
It’s been awhile since Resa just pencil sketched. She was excited to rise to the occasion, & started with Shehanne Moore in a Town Suit, very 1980’s come 1930’s.
Then it was GiGi’s turn to model this ultra-uber, never seen before style. No one can wear an imaginary time unknown suit like Gi! (Above)
Craving some colour, Resa added ballpoint pen and turquoise ink pen bows. There was no way I was going to wear a suit with bows! Holly had no choice but to model it.
The musicians were going wild downstairs when Resa came up with a Crazy Free Style Art tulle skirted suit forMarina Kanavaki. Having a colour meltdown, Resa went nuts with felt pens. They soaked through 3 pages of paper, and she had to iron the sketch.
Resa should have drawn me in the above suit. DARN!
This Art Gowns Suit is more like it. Now, I can work on the next song being added to my repertoire “Sweet Love”. I’ve been very inspired listening to Anita Baker sing it.
Their names are hot in the descriptions under the suits they have modelled. They all have fab blogs to visit.
Is the line between love and hate so fine you can’t see it? If you can’t see it, can you cross it?
Some women are attracted to bad boys. Are some men attracted to bad girls? What if a good boy became a bad boy? What if a bad girl became a good girl, even when she was bad?
That’s just part of the passion play in O’Roarke’s Destiny. The intrigue, mystery and small matter of an effective curse cast by Diver’s O’Roarke is the story’s action.
It’s 1801, Cornwall; a time when women needed men, more than men needed women. Or, so society knew. 1801, Cornwall; Destiny Rhodes needs no one, nor anything: save Doom Bar Hall, its servants, Aunt Modesty’s porcelain, Lord Tredwynne’s antique armour, Grandfather Austell’s stuffed parrots, garlands in the hall at Christmas, her garden and all the embroidered pillows sewn up mended. At least that’s what Destiny was thinking.
However, it all seems somewhat moot after Divers O’Roarke wins Doom Bar Hall, from Destiny’s drunkard brother, Orwell.
It’s a world of smugglers, pirates, excisemen and extreme danger, yet, Destiny needs only her instincts. She’s in over her head, but owns a drive to do what has to be done to get to the bottom of what is going on, and retain a position to remain at Doom Bar Hall.
Still, Lyons busted her illegal casks of spirits. Who tipped him off? Mostly, why did Divers O”Roarke take the fall for her?
💥 BREAKING NEWS! 💥
There’s gowns in the story.
Tragically, Destiny’s dear husband Ennis, while in his carriage, had cascaded to his death into a ravine.(credit to the curse) Now, Destiny is in an eternal mourning in black. On top of it all, she has pined away her body’s curves, and chopped off her luscious long black hair.
Divers O’Roarke wants her, but black is for widows. He has won Doom Bar Hall … fair & square? So, her gowns are his, to sell at his pleasure. Yet, his pleasure is far from the few bits of coin he could get for the gowns. What he wants is to see Destiny, in any gown other than widow’s black.
Eventually, Destiny must wear a gown for him. She dons her least sexy gown, which is in Egyptian blue. (I don’t have that colour in my caddy, but I came up with an eau de nil). This colour is not her best, possibly her worst, definitely her most disliked.
Yet, what Divers O’Roarke wants is to see her in her most vibrant and glorious red gown. Will she wear it?
1. How did the idea of a curse come up? Are you superstitious, dabble in say; Tarot or Astrology? How/why did the curse entail everything turning to dust? Why not turn to toads, a lowly insect or even a hamster? (a little cheek)
Oh, now there was a time I did some work for a psychic journalist. I did once say what haven’t I done writing wise and other way wise when it comes to earning a crust. And yes I also did some Tarot work for her too as part of that. So I did learn the cards. At that time I also could do card readings from playing cards. I had a great aunt who could do the tea leafs. That totally fascinated me growing up. I think much as we may mock it, we do want to know a bit about what’s ahead, that HOPEFULY there’s a corner that will be turned or some good luck coming. As for the curse idea? Well, the book started about a house that the heroine had lost. And that idea came from us having to sell up our family home and me jokingly saying to a friend, I should just have flung myself in with it as a housekeeper. Then I thought BINGO idea for a book here. And it started out as fun and frothy but there were things on the table that weren’t right. Like why didn’t the hero just put her out? How can he be so besotted with this family when they were horrible to him as a child? Was light and frothy going to sustain a book? Then for some reason I saw their pasts and how and why he had cursed her and how everything had then gone wrong in her life since. Everyone she cared about has died. So she gets this name locally that way. Now if only I had thought beyond the box though, you are right. He should have said may everything you touch turn into a hamster dude. But then she’d have been overrun. That might have been a worse curse.2. Your use of humour helps in feeling the underlying intense emotional states of Destiny and O’Roarke. With Destiny it’s the simple practical day to day things she plans to do the next day. With O’Roarke, it’s what to dig his grave with. Did you intend these character’s personal thoughts to be a humorous relief? Or did it just turn out that way?
No. Firstly I always like to use humour of thoughts. We all have them, let’s be clear. Maybe not about graves and what to dig them with etc., but we do have little idiosyncrasies and of course we are not always aware of them either. And I also know my readers expect to have a few giggles. So I couldn’t not. My characters always have some kind of wee saying or attitude. One heroine had sliding scales of things. Another would sooner swallow a crocodile than do whatever and as the book went on, that list grew and grew. One hero–my most impatient one–had Christ on various things. I did feel this book would be a bit dark if I didn’t have these bits. They are neither of them in the best place emotionally. However I then have the prob of her being a widow and I did NOT want to tackle it by having her thinking well, she was widow, thank God, because she had every reason not to have loved her husband. I felt that was a get out. So I thought if I had her, having been hit so hard that her way through is to line up tasks and tick the boxes, that that actually could prove quite humorous, especially if she’s so busy lining up these tasks, while people keep ‘getting in her face’ she doesn’t see how deep the waters are getting. It was like a wee you may think wink to my readers she’s going to be incandescent with rage the way my other ladies would be, but you are in for a surprise here. She’s too busy thinking she has that cushion cover to sew and that stool to mend. In a way these are the things that also need to be prised loose from her fingertips.
3. I’m fascinated by “Doom Bar Hall”. How did you come up with that name? Had you considered calling it “Rhodes Hall”?
Doom Bar Hall was called after Doom Bar sandbar in Cornwall. Given I wanted to write of curses and smuggling, and not such great emotional states, I wanted something dark sounding and it is quite a fearsome sandbar I gather, responsible for hundreds of ship wrecks down the years. Originally before I went from frothy to dark, from Hampshire to Cornwall geographically, the house was called Lavistock and the book title was the Lady of Lavistock. Divers wasn’t called Divers O’Roarke either at that point. I just felt all round this was stronger. I do like to create a pervading mood and landscape for each book. This became the one here.
Resa, I want to thank you not just for inviting me here today, but your wonderful friendship AND the talent and readiness to use it to create gowns, for all those you create gowns for AND that includes my ladies. They and I salute you.
Here’ s the first drawing I did of Destiny. I was trying too, hard with the chopped off hair look. Yet, I still like it, because she looks like a pirate courtesan, with hair for an eye patch. Yet, perhaps this is a more correct visual introduction to Destiny.
Shehanne Moore is a native of Scotland, Dundonian by birth. She is the author of many Romance novels.
Having read 3 (almost 4) of her books, I can say her attention to the details of an era puts one in a different time and place. You don’t question it. You are there.
As for the flame of love she burns with her words, I suggest you read a book to see the fire!
Click on the pic below, to buy O’Roarke’s Destiny on Amazon!
A cover for one’s book can be as daunting as writing it. After a great search, Shehanne found the image below. The colours were wrong, but they were made right.
Eye’d like to thank all who took the time to read this post. Love you all!
Art Gowns and Chicklets pooled their talents for a fundraiser, and show of support for all victims of rape, sexual abuse and crimes of violence.
Headlining the evening at Toronto’s Uptown nightclub, Coopa Cabana, was internationally renown Torch Singer, Rene Rosso.
In a stunning Art Gown designed by Couturier Chicklet, Milly, Ms. Rosso opened with her rendition of Etta James’ “At Last”.
The Chicklet of Ceremonies, Pearl, introduced the entertainers, and speakers.
Key speaker, Georgiann, gave a mind blowing talk. It was filled with statistics and real life accounts. One statistic from RAINN says, “Every 92 seconds, an American is sexually assaulted; and every 9 minutes, that victim is a child.”
Marina Kanavaki and Chicklet Poppy performed a Ballet Nouveau, to the happy ending of La Fille mal gardée. It is a tale of a girl who is being forced to marry someone she does not love. In the end she weds her love.
Rebecca Budd, Creative Director, worked closely with Marina and Poppy to choreograph this classic ballet fused with modern jazz movements.
Prominent philanthropists, Sophia, Queen of the Coop, and
Queen Isabella were noted luminaries in the audience.
La Esencia de Titania literally flew in with her Fairy Apprentice, Daisy.
Daisy and Titania had been enjoying the flowers, poetry & Friendly Fairy Tales in Brenda’s garden when Brenda told them about the fundraiser.
In closing the event, Chicklet Diana joined Ms. Rosso in a duet.
They chose “The Very Thought of You”. It’s their way of saying to all victims that they are loved.
All performers, speakers and behind the sceners donated their time and talents for the evening’s endeavours.
The Art Gowns are very glamorous. The Chicklets are cute as buttons. However, there is nothingcute or glamorous about sexual abuse, rape and other crimes of violence. There are many ways to help. Find out how by:
CLICKING ON THE LOGOS BELOW TO VISIT SUPPORT AND HOTLINE SITES
RAINN is the nations largest anti-sexual violence organization
Mariska Hargitay, Olivia Benson on Law & Order: Special Victims’ Unit, started JOYFUL HEART, in response to the thousands of letters & emails from survivors disclosing their stories of abuse.
CHATELAINE , a Canadian Magazine has a page listing Canadian Help Sites
Mademoiselle Emily looks out to the dining room. The other Art Gowns were aghast when she announced that there would be no dinner party, and that she would prefer to paint a portrait of each Art Gown.
Now, the Art Gowns are bickering over who will be first to sit for her!
We all know cats have 9 lives. Here are 9 tails, one for each of Mademoiselle Emily’s 9 lives: 1. a small pointed front tail w/ dagger – 2. one handsome centre back tail w/ lace trim – 3. two side back tails of voile w/picot lace border – 4. 2 x side centre voile w/picot fluffs – 5. Center back fluffy tail
Tails become tales in a who-done-it with humour, about a man becoming who he has pretended to be. I have it in my mind that there are 9 tales, like a cat has 9 lives. The next book is “eight black lives”.
Nicky is an actor, vain, jaded and tired of Hollywood fluff. He holes up, brooding in his New York apartment only to accept yet another “detective” role scheduled to shoot in his grey and gritty home turf. As stalkers move in and a real life murder taps him on the shoulder, Nicky enters a dangerous Neo Noir world. Peril looms to all those around him, including his love Lara and their unborn son. With the chill of premonition creeping over him, and wielding his “detective” skills, Nicky must awaken the true man within before time runs out.
You can read it for free. Just click on the cover and download the PDF.
Could I create an Art Gown, who is both romantic & castle worthy?
I turned to romance novelists Shehanne Moore & Carolee Croft, and castle photographer Inese.
This Art Gown is dedicated to them. They are as gorgeous as the Contessa Fiori.
My fave fabric shop had a going out of business sale. (boo hoo!) I bought black curtain sheer for $1.00/yd. & a men’s suit lining for $0.75/yd.
However, the challenge actually began when a friend gave me an East Indian vintage vest (with inset mirrors) and part of a collectible saree.
I took apart the vest, & over-dyed the fronts black.
The saree ran from a red floral print to a black w/floral print. Cut into squares, 10″x 10″ & 4″x 4″ they were backed in black curtain sheer, & bagged out. The squares were gathered from the centre out to all 4 corners, forming the flowers. Torn strips of the sheer were braided, and used to trim the sheer side panels.
The bow pieces, forming the bustle, came out flat. They were stuffed with used bubble wrap to fluff them out.
It was about then that Mini-Me told Contessa Fiori about the castles in Ireland.
Well, the Contessa began to dream about how perfect she would be for castle life.
Contessa Fiori told the other Art Gowns about castles, & showed them pics on Inese’s blog, where you will see more than castles. Visit Inese’s blog by clicking on pic below.
When I told the Art Gowns I was definitely not buying them a castle, they all got in quite the huff. The Contessa strew her flowers all about herself.
Contessa Fiori & Mini Me thank all for visiting Art Gowns.
🌹Special thank you’s to Carolee Croft, Shehanne Moore & Inese 🌹
To read the blurbs about these fab books, click on the covers, or banners Please note the 2 books from Carolee are 18+