O’Roarke’s Destiny – by Shehanne Moore

Is the line between love and hate so fine you can’t see it? If you can’t see it, can you cross it?

Some women are attracted to bad boys. Are some men attracted to bad girls? What if a good boy became a bad boy? What if a bad girl became a good girl, even when she was bad?

That’s just part of the passion play in O’Roarke’s Destiny. The intrigue, mystery and small matter of an effective curse cast by Diver’s O’Roarke is the story’s action.

It’s 1801, Cornwall; a time when women needed men, more than men needed women. Or, so society knew. 1801, Cornwall; Destiny Rhodes needs no one, nor anything: save Doom Bar Hall, its servants, Aunt Modesty’s porcelain, Lord Tredwynne’s antique armour, Grandfather Austell’s stuffed parrots, garlands in the hall at Christmas, her garden and all the embroidered pillows sewn up mended.  At least that’s what Destiny was thinking. 

However, it all seems somewhat moot after Divers O’Roarke wins Doom Bar Hall, from Destiny’s drunkard brother, Orwell.

It’s a world of smugglers, pirates, excisemen and extreme danger, yet, Destiny needs only her instincts. She’s in over her head, but owns a drive to do what has to be done to get to the bottom of what is going on, and retain a position to remain at Doom Bar Hall.

Still, Lyons busted her illegal casks of spirits. Who tipped him off?  Mostly, why did Divers O”Roarke take the fall for her?

💥 BREAKING NEWS! 💥

There’s gowns in the story.

Tragically, Destiny’s dear husband Ennis, while in his carriage, had cascaded to his death into a ravine.(credit to the curse) Now, Destiny is in an eternal mourning in black. On top of it all, she has pined away her body’s curves, and chopped off her luscious long black hair.

Divers O’Roarke wants her, but black is for widows. He has won Doom Bar Hall … fair & square? So, her gowns are his, to sell at his pleasure. Yet, his pleasure is far from the few bits of coin he could get for the gowns. What he wants is to see Destiny, in any gown other than widow’s black.

Eventually, Destiny must wear a gown for him. She dons her least sexy gown, which is in Egyptian blue. (I don’t have that colour in my caddy, but I came up with an eau de nil). This colour is not her best, possibly her worst, definitely her most disliked.

Yet, what Divers O’Roarke wants is to see her in her most vibrant and glorious red gown. Will she wear it?

1. How did the idea of a curse come up? Are you superstitious, dabble in say; Tarot or Astrology? How/why did the curse entail everything turning to dust? Why not turn to toads, a lowly insect or even a hamster? (a little cheek)

Oh, now there was  a time I  did some work for a psychic  journalist. I did once say what haven’t I done writing wise and other way wise when it comes to earning a crust. And yes I also did some Tarot work for her too as part of that. So I did learn the cards.  At that time I also could do card readings from  playing cards. I had a great aunt who could do the tea leafs.  That totally fascinated me growing up. I think much as we may mock it, we do want to know a bit about what’s ahead, that HOPEFULY there’s a corner that will be turned or some good luck coming. As for the  curse idea? Well, the book started about a house that the heroine had lost. And that idea came from us having to sell up our family home and me jokingly saying to a friend, I should just have flung myself in with it as a housekeeper. Then I thought BINGO idea for a book here. And it started out as fun and frothy but there were things on the table that weren’t right. Like why didn’t the hero just put her out? How can he be so besotted with this family when they were horrible to him as a child? Was light and frothy going to sustain a book? Then for some reason I saw their pasts and how and why he had cursed her and how everything had then gone wrong in her life since. Everyone she cared about has died. So she gets this name locally that way. Now if only I had thought beyond the box though, you are right. He should have said may everything you touch turn into a hamster dude. But then she’d have been overrun.  That might have been a worse curse.  2. Your use of humour helps in feeling the underlying intense emotional states of Destiny and O’Roarke.  With Destiny it’s the simple practical day to day things she plans to do the next day. With O’Roarke, it’s what to dig his grave with. Did you intend these character’s personal thoughts to be a humorous relief? Or did it just turn out that way?

No. Firstly I always like to use humour of thoughts. We all have them, let’s be clear. Maybe not about graves and what to dig them with etc., but we do have little idiosyncrasies and of course we are not always aware of them either.  And I also know my readers expect to have a few giggles. So I couldn’t not. My characters always have some kind of wee saying or attitude. One heroine had sliding scales of things. Another would sooner swallow a crocodile than do whatever and as the book went on, that list grew and grew. One hero–my most impatient one–had Christ on various things.  I did feel this book would be a bit dark if I didn’t have these bits. They are neither of them in the best place emotionally.  However I then have the prob of her being a widow and I did NOT want to tackle it by having her thinking well, she was widow, thank God, because she had every reason not to have loved her husband. I felt that was a get out.  So I thought if I had her, having been hit so hard that her way through is to line up  tasks and tick the boxes, that that actually could prove quite humorous, especially if she’s so busy lining up these tasks, while people keep ‘getting in her face’  she doesn’t see how deep the waters are getting. It was like a wee you may think wink to my readers  she’s going to be incandescent with rage the way my other ladies would be, but you are in for a surprise here. She’s too busy thinking she has that cushion cover to sew and that stool to mend. In a way these are the things that also need to be prised loose from her fingertips. 

 3. I’m fascinated by “Doom Bar Hall”. How did you come up with that name? Had you considered calling it “Rhodes Hall”?

Doom Bar Hall was called after Doom Bar sandbar in Cornwall. Given I wanted to write of curses and smuggling, and not such great emotional states, I wanted something dark sounding and it is quite a fearsome sandbar I gather, responsible for hundreds of ship wrecks down the years. Originally before I went from frothy to dark, from Hampshire to Cornwall geographically,  the house was called Lavistock and the book title was the Lady of Lavistock. Divers wasn’t called Divers O’Roarke either at that point. I just felt all round this was stronger. I do like to create a pervading mood and landscape for each book. This became the one here.

Resa, I want to thank you not just for inviting me here today, but your wonderful friendship AND the talent and readiness to use it to create gowns, for all those you create gowns for AND that includes my ladies. They and I salute you. 

Here’ s the first drawing I did of Destiny. I was trying too, hard with the chopped off hair look. Yet, I still like it, because she looks like a pirate courtesan, with hair for an eye patch.  Yet, perhaps this is a more correct visual introduction to Destiny.

Shehanne Moore is a native of Scotland, Dundonian by birth. She is the author of many Romance novels.

Having read 3 (almost 4) of her books, I can say her attention to the details of an era puts one in a different time and place. You don’t question it. You are there.

As for the flame of love she burns with her words, I suggest you read a book to see the fire!

Click on the pic below, to buy O’Roarke’s Destiny on Amazon!

A cover for one’s book can be as daunting as writing it. After a great search, Shehanne found the image below. The colours were wrong, but they were made right.

Eye’d like to thank all who took the time to read this post. Love you all!

“Destiny” As a Resa one eye

Autumn Orchid

Did you ever have to “make-over” an internet shawl contestant into an “Art Gown”?

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If you have, you know it’s not as painful as standing in the shadows of love,

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…but still, you spent a lot of time looking out the window wondering how!

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Between the challenges of life, the window of opportunity and the shadows of love, lies hope. I dedicate “Autumn Orchid” to Cindy Knoke, and I hope she just loves it!

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Cindy’s Blog is filled with color, nature, joy and adventure. It is a most positive place to visit, and as beautiful as any “Art Gown”

Cindy MOS #1This gown started, as a shawl.

 The shawl took over 40 hours.

Due to paint drying times, this was over a three week period.

I chose yardage of a 90″ wide piece of floral patterned curtain lace.

This ensured that there would be no seams in the shawl, that it would be 1 piece unto itself.

Cutting deep into the lace around the flowers, a unique bordeur was created.

Cindy MOS #2After mixing metallic copper acrylic paint with fabric medium, I painted the bordeur.

Both sides of the lace were painted.

When finished and dry, the paint was meticulously heat set with a hot iron.

Using finishing scissors, I cut off all micro bits of painted fray.

This made a very smooth edge.

The shawl was entered in a very fabulous talent contest.

It was so exciting!

The slideshow features some of my fave shots of the  finished shawl.

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Oh…. boohoo! My shawl didn’t win. I moodily wandered around the “Art Gown” room for awhile.

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Then, I thought of Cindy, & remembered the old saying “If  life gives you a lemon shawl, make “Art Gown” lemonade!”

MOG #4MOG #5I halved the remaining lace.

One piece went into a pail with copper acrylic paint and water.

The other half was hand painted with copper, cobalt turquoise & a blend of the two.

I cut around the lace pattern to form a bodice.

For the skirt, the shawl was folded diagonally, as you saw in the slideshow, then fastened around  Judy’s waist with the opening in the back. The pail soaked lace was inserted into the back opening.

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MOG #1MOG #2Flowers were cut out from the rest of the lace. In back, they were ruched onto the insert. In front, they were used like flat puzzle pieces.

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Voilà, more “Autumn Orchid”

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One last nostalgic look.

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P.S. I did find a fabulous turquoise orchid online. It is a rights reserved image, so I can’t show you.

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“Art Gown” Autumn Orchid designed by Resa McConaghy – November, 2014

All photos taken by Resa McConaghy – November, 2014

THE HOT FLASH – Crimson Fox

Did you ever design a gown for a real life Super-Hero?

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It’s nerve wracking, isn’t it?

My 6th “Art Gown” goes out to Wendy Anderson who portrays Nealy Gone, a chronic wallflower, who at 50 years old embraces the heat and changes of menopause to become an ass-kicking Super Hero, The Hot Flash

The gown to be was screaming “I’m hot! I’m red! I’m satin!”

So, I went with it, and draped a classic body shape with a modern bodice on Judy.

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I used French darts to shape the bodice.

The back was a lot of sexy fun.

Of course in reality the bodice would be heavily corseted.

Both sides of the center front, the French darts and the back’s 3/4 panels would all have to be boned.

Then I needed some fire. As I’m very partial to tails, I decided a spread tail, like fox’s, no point at the end and in red hot sequin eyelash was the way to go. Once the tail was in, I began talking to the gown, calling her my Crimson Fox.

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Then I began thinking about mood swings, and the need for the cooling effect of fans, so I began changing things up a bit.

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Crimson Fox and I love, love, love “The Hot Flash” and want it to be a Web Series.

So visit the Web site The Hot Flash

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Or follow on Twitter @the_hot_flash

Or on Facebook Facebook

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THF

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Dream of Love

Did you ever design a gown about falling in love, and dreams of romance?

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Well I did, because “love rules”!

So it makes total sense that my “Art Gown” #5 has been inspired  by Imelda Evans of  Wine, Women and Wordplay.  Imelda is an author, and her first novel out is an EBook romance, “Rules Are For Breaking”on the “destiny Romance” label.

Mango #2

Having read the book, the first thing I was inspired to do was make 4 dozen silk organza flowers in shades of Mango.

Mangoflower #1 To prevent fraying, I cut strips of true bias in five widths (2-6 inches) then made squares.

I fan layered 4 squares of the same size, ran a large hand stitch through the center to give me a point from which to pince, twist and secure with a few hand stitches.

Each flower came out different. I used a wired organza ribbon in green to mock leaves.

I saw the flowers on a black velvet gown with a cut silk velvet asymmetrically draped, creating subtle lines.

When the gown was finished, I had to ask it a question about Imelda.

Mango #1b

 “How did Imelda feel when she found out she was a 2012 finalist in Australian Romance Reader Awards”?

Of course Dream Of Love had a direct quote.

“In answer to your question, my initial reaction to being a finalist was shock.  I truly got chills.  It honestly had never occurred to me that I would be on the list.  So when I came across my name and my book, at first, I hardly believed it.

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I closed my eyes and opened them again.  Then I scrolled up to the top of the page to make sure that I was really reading the list of finalists.  Then I went back and looked again.

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Then I went back onto facebook and found someone I knew who was online (it was quite late) and got them to confirm that I wasn’t hallucinating.  And through it all, my skin was clammy with the shock.

Mango #5

Since then, whenever I think about it, it has made me so happy.

ARRAImelda #2

I know my book isn’t the best book of 2012, but to be someone’s – anyone’s – favourite anything is so humbling and delightful.  It is so encouraging!  I can’t please all of the people all of the time, but if I have pleased even one person that much, I’m very, very happy.”

Well, I’ve read Rules Are For Breaking and if you love love the way I love love, you might want to read it, too.

IMG_33411234Mango #10

 

Love,

Resa

♥♥♥

 

“Art Gown” Dream of Love designed by Resa McConaghy – March, 2013

All photos taken by Resa McConaghy – March 2013

Test shot of "Dream of Love before she was finished.
Test shot of “Dream of Love before she was finished.

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Blue Venus

Did you ever feel like sculpting a gown, but marble and clay aren’t materials you work with?

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I faced that exact conundrum when designing my fourth “Art Gown” which is inspired by Robyn  from THROUGH THE HEALING LENS

Robyn’s Photos combined with her poetry are soothing, loving experiences.

Venus #2

When I asked her about color, she replied that she loved earth tones, and blue like the sky. I also thought of water, as many of Robyn’s pictures are from the beach.

I found a piece of stretch fabric that made me think of deep blue water.

To keep with a sculptural art theme, I stretched a two-piece sarong reminiscent of a 1940’s glamor cut over Judy.

Venus #3

I then began draping a piece of fabric I found in Affordable Textiles, a store on Queen West, pretty close to Qe.

When I saw it on the bolt, I blurted out that it looked like a sky with clouds. At that point the proprietor informed me that I was looking at the wrong side of the fabric.

Venus #4

Draping in the spirit of ancient Rome or Greece was a lot of fun.

Using the wrong side of the fabric, I split it lengthwise, divided one of the lengths into thirds then slashed up for about 2 feet.

 I braided the thirds into a front strap, and did the same for the back.

As an amateur photographer, I rely on natural light. I wanted a sunny day to take the pics of Blue Venus, so the sky with clouds effect would be perfect. The sun peeked out only a few moments. I did my best, and over exposed when things got too, dark.

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Well, that’s my Blue Venus. Thank you Robyn !

I think I’ll say good-bye in Black and White.

Venus #12Venus #13

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Ballroom Lux

Did you ever design a magic gown that seemed to light itself?

ABC #1

Well, this “Art Gown” inspired by Carolyn from ABC of Spirit Talk turned out to do just that.

I love Carolyn’s “Reflections” and she has been a joy to me for almost a year now.

When I realized she enjoys Ballroom Dancing and loves a Waltz, I saw flowing white swans.

After she told me gold was a favorite color, I saw this modern fabric called Liquid Lamé. I decided to combine it with the most delicate of traditional white netting, shimmered and dotted with gold. Would these diametrically opposed fabrics work together?

ABC #2

As usual, I began by draping the bodice. The ruching down the center back took about 30 pins to hold in place. I was thrilled with the outcome.

I draped the underskirt in Lamé, added the over-skirt in net, and took a making of shot. I repositioned Judy, and shot the front. It was then I saw the dynamics of light with this creation.

ABC #3

I took off the over-skirt, threw a sash around Judy’s waist and made the tails into rosettes. I shot the gown in this state then re-attached the over skirt, and shot some more. Here’s what happened.

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It’s incredible what the gown revealed. Sometimes the net even looked like clear plastic.

“N” said if the pics were in black and white, it would look like it was from another era, another place in time.  I couldn’t resist. Sure enough, Carolyn’s gown is not only lux magic, it is lux mystic.

ABC #12

Carolyn’s gown welcomes us in one place then says farewell from another.

Much like Carolyn, her gown is divinely enchanting!ABC #13

Graffiti Girl Glam

Have you ever felt like painting a graffiti mural on a beautiful gold lamé gown, then shooting it in the alley beside a mural?

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Well I have, & it is inspired by all the ephemeral art my eyes now see around me.

So to thank  Eric Vandersteenen, Director & General Administrator and Monique Deveen, Artistic Director & Main Photographer of the Free Tag Zone network  for introducing me to a new passion, my second “Art Gown” is an FTZ Tribute Gown.

Graffitiglam #11

⭐️⭐️⭐️⭐️⭐️

Graffitiglam #2

Of course, I needed a gold lamé gown to paint on.

So I basted a crinoline onto Judy , and draped a bodice.

The bodice has inverted waist darts set at a dramatic angle.

Graffitiglam #3

Then I gathered 4 meters of lamé over the crinoline.

I basted the skirt to the crinoline.

5 centimeter wide straps were attached to the bodice, and crossed in the back.

There was extra fabric which I draped into a tail. I just love gowns with tails.

FTZ gown #2

Graffitiglam #5

Draping  the gown took only a few hours.

I figured, I would have it painted in no time at all.

I gave myself 2 part days.

Three weeks later, I was finished. I hadn’t figured on my lack of painting ability, and the time it takes paint to dry!

Here is the result.

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After a week I began talking to her.

Graffitigam #9Her proper name is Free Tag Zone, but after awhile, I started calling her Freeta for short.

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I really love this gown, and could not stop taking pics of her.

Well, my tribute to FTZ is over, but ephemeral art lives on!

Kisses to you Eric, Monique and everyone who is part of making  FTZ   such a wonderful experience!

Graffiti glam #15AS “LIKES” DID NOT TRANSFER TO MY NEW BLOG,

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GGG

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