Cleopatra Capriccio

Did you ever want to go back in time?

Well, we can with Art Gowns and imagination. I choose the 1920’s! What a decade of influences to inspire an Art Gown! King Tut’s Tomb was discovered. Art Deco was the movement. Chanel and Vionnet eschewed the corset, flattening the chest and dropping the waistline.

In 1920 women’s right to vote was ratified in the U.S.A. – Cafe Society lead to the Jazz  Age, and the Fitzgeralds were all the rage. Flappers were making their mark, and Zelda Fitzgerald was the most famous flapper of them all.

Cleopatra Capriccio is dedicated to Elizabeth Gracen, a 21st century Flapper. Twenty some years ago, she was the star, and I was her designer. We have remained good friends, since.

As a matter of fact, she gave me the Mini-Me I dress up to go with the Art Gowns.

It began with the gift of a sequin fabric, a leftover from a TV series.

I paired the sequin fabric with a table runner I’d hung onto since my teen years, and yardage of: a soft grey, heavy weight, acetate satin curtain lining, purchased at a liquidation sale for $0.75/yd (120 ” wide).

The dark blue Dupioni silk table runner is embroidered with actual silver metal thread. It was already a vintage piece back when I was gifted it. I cut the diamond shapes and zig-zag bordeur out of the runner.

 Finally, some dark royal blue silk that had been stored for 25 years in musty storage, also gifted, rounded out the fabrics. I harvested sequins off of the scraps, and sewed them onto the silk.

OUTTAKES

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I pinned CleopatraCapriccio up, but she still wasn’t as short as a Flapper dress. Still, the sequins did a fun bit.

Elizabeth Gracen
Elizabeth Gracen arrived in NYC from a small town in Arkansas a year after traveling the world as Miss America 1982. She used her scholarship prize money to study acting at HB Studios and photography at the New School. She later moved to Los Angeles where she has worked as an actress for over twenty years, most notably as ‘Amanda’ on the long-running HIGHLANDER: THE SERIES and HIGHLANDER: THE RAVEN.

In 2012, Elizabeth formed FLAPPER FILMS, a production company devoted to developing inspiring, informational content for multi-generational men and women. Her films have met with great success on the international film festival circuit and on streaming media platforms.

In 2016, Elizabeth formed FLAPPER PRESS and published her first YA novel, Shalilly.

Visit Flapper Press

Cleopatra Capriccio designed by and © Resa McConaghy – 2020

Photos © Resa McConaghy – August, 2020

Jazz Age Cover of VOGUE Magazine – July, 1926

Artist: Benito

The Smexy Pen of Shehanne Moore

Please meet Shehanne Moore: writer, author, publisher, wife, mother and one of the official Art Gowns models.

SMART + SEXY = SMEXY

I just finished reading “Loving Lady Lazuli”

Cassidy Armstrong has had an unfortunate life, that has scarred her in more ways than one. Cast off from family as a baby, and her brother dead from beatings, she is pressed into being a jewel thief. Nonetheless, she has managed to hoard her virginity like it was a massive collection of fine Waterford Crystal worth more florins than any working class person would see in a lifetime.

Now, she has returned to claim her birthright. As a fake widow, Lady Cassidy Armstrong can move around more freely, searching for her proof of heritage. Yet, even after 10 years of aging, donned in a widow’s “Crow Black” and with a new name; Devorlane Hawley (fifth Duke of Chessington) recognizes her.

I asked Shehanne: Devorlane Hawley – Fifth Duke of Chessington, was off at war for 10 years. Was it the Napoleonic Wars? If not, which war was he in, and can you give a bit of history of the war and/or London around the time of this story?

Answer: It was the Napoleonic Wars but he was in the military a little before they actually started in 1803, as an unwilling recruit shall we say?  And obviously since the book is set in 1810 and the wars didn’t end for another five years, he’s no longer a soldier, having been badly wounded and invalided out. The Wars came out of chaos that was the French Revolution and for some time, a long time, it looked as if Napoleon Bonaparte could become master of Europe, until he was finally defeated at the Battle of Waterloo and exiled to Saint Helena. I imagine that life for people in London and indeed elsewhere, would–as  ever, even as we’re seeing today– depend on your wealth.  Whatever your class, most people had a relative in the army or navy and  would be anxious about that but that’s roughly where any kind of things in common would end.  For the rich there was the chance to make more money, for the women to adopt new fashions, go to charitable balls and see some wonderful re-enactments of battles etc onstage. For the poor–the usual struggle for survival. All the English counties had a militia, there to protect the county  and of course there was espionage, the suggestion of which the heroine of this book uses to her advantage at one point.

“Never judge a book by its cover, unless there’s a gown on it.”

I came up with that exceptionally memorable saying, after reading “Splendor”. It was the first book by Shehanne that I read. I pair it here with “Loving Lady Lazuli”, as they are both part of a series about London Jewel Thieves.

You can read my review, and mini interview with Shehanne by clicking on the drawing of “Splendor”, above.

I read “The Viking and the Courtesan” quite recently. It is definitely a bit of a departure from the other stories.

Malice Mallender is quite the piece of work. For the right price “Strictly Business” will destroy any marriage, usually by dealing with the wife nuisance. The right price; enough to buy the latest pair of shoes she covets in Madame Faro’s window. So, what happens when “Strictly Business” is inadvertently hired to destroy Malice’s own marriage to Lord Cyril Hepworth?

I asked Shehanne: In “The Viking and the Courtesan” – How did you come up with the idea of “time displacement” ?

Answer: My dearest, lovely Resa, first let me thank for all your kindness and especially for the gowns and asking me here today. You may know I must be amongst your biggest fans, not just as a mega admirer of your work but the fact you make gowns to be used for charity.

Okay, so to answer your question, I had a flash moment.  I never ever set out to write a time displacement  story.  Just like I never ever set out to write any book.  But I had written the first few chapters of this book exactly as they stand now, to the bit where she goes to her husband, Cyril’s flat. The story was to be a second chance love story between them but one day as I was belting away at the keyboard, I thought that idea was a bit  too similar to the Lady Fury book. Then the little voice whispered… you know that Viking idea you have where you have the hero’s story but not the heroine’s? Hmm?? Well … why don’t you just bung that in here?  Quite understandably I thought, no way. Are you serious????  I mean, come on. Then I went and thought about it for a moment. And I thought, okaaaay. Maybe I should just give it a try for a chapter or so, no more? What have I got to lose really? And that was it. That’s the truth. It just popped into my head.

The moment I saw the new cover of Shehanne’s re-released tale of Lady Fury (Genoa 1820), I fell in love with the gown. I read chapter one on Shehanne’s blog.  Then I read the book.

“Rule One: There will be no kissing. Rule two: You will be fully clothed at all times… Widowed Lady Fury Shelton hasn’t lost everything—yet. As long as she produces the heir to the Beaumont dukedom, she just might be able to keep her position.” 

Perhaps ex-privateer Flint Blackmoore (a man she’d rather see rotting in hell than sleeping in her bed) has never been good at following the rules, still she decides to use him to produce an heir.

I asked Shehanne: In “Lady Fury” – What was your impetus for coming up with “the rules”? Did you have a reason for making Blackmoore a privateer… ie: a love of ships, a port you have been stimulated historically by?

Answer: Ooh, I have always loved pirate stories since I read Treasure Island as a kid. I was reared on all the old films and one of my fav board games was buccaneer.  I was gutted to learn it just wasn’t possible to pursue my chosen choice of career actually. But I did always want to write a book about a pirate or a privateer. As for  ‘the rules’, well, once again I had written first few chapters and I thought, now what? You can tell by now I never ever think anything out. And I thought, well, he’s got her cornered which she’s er…not going to take lying down. So what would she do here to pay him back and keep any feelings which she sees she sort of still might have, under wraps Then I thought I could maybe have a little fun dissecting a certain activity shall we say? I am a great believer in having fun especially with rules on anything. Let’s face it, I dunno about you but over here in Scotland right now, and England, well .. I never saw so many that were badly thought through.

This is my favourite book by Shehanne. It is her most recent, and proves that she gets better with time. As the ending demands a sequel, I am hoping there is one in progress!

You can read my review, some Q&A with Shehanne and see the gown drawings by clicking on my above rendition of Destiny.

Shehanne’s titles are available worldwide on Amazon, Ingram Books & Barnes and Noble. If you click on the above banner, you will go to Amazon’s universal “select a country” page. Once there, select “Books”. In “Books” search “Shehanne Moore. It will take you to all of her titles.

LOVE!

Art Gowns ~ Femme Finale

While waiting for Hyperion to answer the call that she sent out via Resa’s Tree, Princess Blue Holly (aka PBH, Blue Holly & Princess Blue) morphed into her Cheetah outfit!

“Princess Blue, you’re so cool, NOT,  with all your magic changes. HA! cough … hiss … cough! PBH is Peanut Butter Holly to me. You’re nothing but mush… cough!”

No wonder Hyperion wasn’t answering! Princess Blue Holly remembered that Resa’s Tree had been frozen by Evilomlap, into an artificial winter. She couldn’t use her Tangle Heart, he was onto it, and had used it to lead her to his lair.

Blue Holly suddenly heard Marina’s invisible whisper. “Use my Pear Tree! It’s incognito, hiding between Dr. Huey and Melody Parfumee rose bushes. Pruned to a point, it should get through to Hyperion.  Evil can’t find it!

Evilomlap wound his length around Princess Blue, squeezing harder and harder. Princess Blue surrounded Evilomlap with her spiked leaves and poison berries. Stalemate!

This was the moment of truth. Princess Blue Holly could not last forever in a stalemate. With all the might of her telekinesis she could muster, she called out to Hyperion and felt him finally answer. She could feel her inner dragon welling up as Hyperion calmly guided her Special Claw Glove to pierce deeply into Evilomlap’s scaly flesh. In desperation, Evilomlap buried his fangs into her ankle, and injected his virus venom.

Princess Blue Holly winched in pain and held on as her inner dragon forced the virus through her and into her Claw Glove, injecting Evilomlap with his own viral poison.

As the virus coursed through Evilomlap Etagloc, he turned blue, was frozen by his own venom and rendered into the very frame he had intended to imprison Princess Blue Holly within. Checkmate!

Once Evilomlap was imprisoned, Resa’s tree was freed into a new magic realm.

The distorted path upon which PBH’s Tangle-Heart had beaconed from far away, straightened out. Her Tangle-Heart was back in focus.

Tangle-Heart led Blue Holly through the Paris night, back to the Moulin Rouge. With the Art Gowns models restored and dressed for the next number, PBH segued into Rene Rosso.

Rene Rosso and the Art Gowns models: Shey, Dale, Gigi, Marina, and Holly dazzled the audience with their special chorus line number.

During thunderous applause, Rene Rosso switched gowns for her solo song, a torch to Annie Lennox and the song “WHY”.

Princess Blue Holly & Rene Rosso characters © Resa McConaghy & Holly Rene Hunter

Visit Tim, Art Gowns special photographer & official Magic Tree curator at: Off Centre & Not Even

Visit Dan, Art Gowns official Dragon consultant at: Return of Dragons

Rene Rosso & the Art Gowns Models will be back! In the next adventure Princess Blue Holly will save them from double trouble in Chicago!

In the meantime, you can visit all of the Art Gowns Models on their blogs. Their names are 🔥 HOT 🔥 under their Chorus Line Number!

FYI: Melody Parfumee is a purple Floribunda, Grandiflora rose growing in Tim’s Magic Trees garden.

 

Art Gowns’ Paris Adventure

When Rene Rosso was asked to sing in Paris, well, she said YES!

Of course, she had several requests. One, was that the Art Gowns would open for her with a fashion show. She had a special gown designed, just to announce the Art Gowns.

First out on the runway in “The Tulle Collection” was Gigi. In an asymmetric one sleeved stunner named “The Twirl”,  she swept the stage with ease.

Holly totally glammed it up for the catwalk. She had wanted to ride out onto the stage on a motorcycle. It had to be a Harley, but they couldn’t find an acceptable one, on such short notice.

Rene Rosso, being a class act, sent out a big Thank you to the Beauty Team.

Taking care of the Wardrobe is the very capable Bijou. She wields a hot iron like no one else.  Stay good and  you won’t  get your  face pressed!

Margot is the hair stylist. She was once up for a Golden Globe award.

Geneviève, one of the best make-up artists, ever, to graduate from The Coop will be attending the Maquillage.

Of course there are unsung heroes. Rene Rosso insisted they come out to the stage for a bow, to hearty applause.

Above, Bridgette is responsible for all of the staging. Below is Adrienne, the Tour Manager.

Then it was back to The Art Gowns fashion show, with the vivacious Dale leading the way  in an Avant Garde specialty.

For Shey, inspiration was taken from her romantic period novels. During the flight to Paris, the Art Gowns read The Viking and The Courtesan. The girls are all still chattering away about it!

Marina is for real, even as she models this Faux Ballerina number.

It was time for Rene Rosso to perform a song. She adores the Parisienne audiences. In an Art Gown designed by Resa, and stage production design by Bridgette to look like a painting,

… she torched with “La Vie en Rose”. Her favourite version is by Melody Gardot.

Suddenly, on the last note of the song, the lights went BLACK!…..

… and Princess Blue Holly found herself in the night’s streets of Paris.Changing to her Crimes in a City’s Dark Corners outfit, she climbed to the roofs of Paris.

Hiding by a Gargoyle on on the southeast tower of Notre Dame Cathedral, Princess Blue Holly awaited the dawn and for her Tangle – Heart to guide her.

 What was happening? How had Rene Rosso become Princess Blue Holly without conscious effort? Where were the Art Gowns? Where was her Tangle-Heart? Would the master of her inner dragons, Hyperion be able to help her?

All Paris shots, including the Gargoyle courtesy of & © Timothy Price

The Chicklets artwork courtesy of  & © Georgiann Carlson

Their names are hot in the descriptions of the gowns they model, so feel free to enjoy a visit to their blogs.

For the answer to all of Princess Blue Holly’s questions, Eye suggest you stop by for episode 2, of the Art Gowns Paris Adventure!

Princess Blue Holly & Rene Rosso characters © Resa McConaghy & Holly Rene Hunter

Princess Blue Holly – Heart

Princess Blue Holly torpedoed herself toward the surface, the moment the Rio Grand’s mouth met the Gulf of Mexico.

Suddenly, just below where the gulf waters met the sky, MerSin confronted her. Not shying away, Princess Blue Holly demanded he set the Art Gowns Mermaids free, and return them to their normal Art Gowns Models selves.

MerSin, under complete control of SinMonto, laughed wickedly. Louder and louder his laughter roared like a fire from hell, as he transformed into a dragon. His evil SinMonto mission; destroy Princess Blue Holly!

Princess Blue Holly was at a massive disadvantage. She called on the master of her inner dragons, Hyperion.

There was no need for words. Hyperion appeared in a roiling fountain of steam and transformed Princess Blue Holly, with a roar like thunder. MerSin fell back in fear. Princess Blue Holly and her gown were now the form of a smaller, yet more fierce blue-green dragon. Her Mission; stay alive and save the Art Gowns Mermaids.

She was unbeatable. MerSin cowered, awaiting his death blow. In the same roiling fountain of steam, Hyperion returned her to her mermaid self. She had refused the final kill. This act, of a kind and noble heart, freed MerSin from the clutches of SinMonto.

A fountain of steam, spinning counter clockwise, and MerSin became merely a lonely voice in the sky. He vowed to return one day, and fight beside Princess Blue Holly.

Her Tangle Heart showed her the fastest way back to Albuquerque. Surfacing at Tingley Beach she realized she had only 20 minutes to make Rene Rosso’s last set.

Using her animal powers outfit, she channeled a Cheetah, the fastest animal on earth. Although Cheetahs have poor night vision, Princess Blue Holly had Resa’s Cottonwood tree guiding the path.

As she leapt past Resa’s Cottonwood, the sky turned from the dark blue ink of night, to orange. It was MerSin’s voice announcing that the Art Gowns Mermaids would return to being Art Gowns Models just after dawn. They would awaken on South Beach, Miami.

Back in her dressing room, Rene Rosso looked in the mirror before going on stage. The salt water had destroyed her hair, and her gown was a no go.

A quick change, with the help of her beauty team, made her only 1/2 hour late for her set.

She opened with  “Baby I’m A Fool” by Melody Gardot, an artist who she admired deeply.

The next morning Rene Rosso was on South Beach waking up with the Art Gowns Models. Their hairs were ruined, their mascara running and gowns destroyed.
No one, save Rene Rosso, knew how they got there.

Photos of Holly’s Tangle-Heart & Resa’s Cottonwood © Timothy Price

Princess Blue Holly & Rene Rosso characters & tales © Resa McConaghy & Holly Rene Hunter
Drawings of Princess Blue Holly & Rene Rosso © Resa McConaghy
Dragon Consultant: Hyperion: Return of Dragons
DRAGON ARTISTS:
The dragons art is a public mural. The pics were taken in Toronto by Resa – July 24, 2019, and later creatively edited. No financial gain is intended by the use of these photos.
This is the 3rd and final episode of Princess Blue Holly and the Art Gowns Mermaids. If you would like to catch up on the story click on the image above. The category presents most recent at the top, so scroll to the bottom, to read from the beginning!

Princess Blue Holly to the Rescue

While the Art Gowns Mermaids slept until their spell was broken, Princess Blue Holly set off to to save them.

Timothy Price had given her a Tangle-Heart tree to carry with her always. It would guide her. She placed it in her heart, so she would never be without a compass. Besides it didn’t fit in Rene Rosso’s suitcase.

Her Tangle-Heart led her to Albuquerque. Here, as Rene Rosso, she would await further information. Of course every venue in town was eager to book the Torchy Nightingale.

Ms. Rosso negotiated: 5 new Art Gowns (1 of which would be styled after the Cottonwoods in fall), a new poster featuring afore mentioned Art Gown, a double size dressing room, a massive star on the door, her choice of songs, musicians and hair, make-up & wardrobe changes during the sets.

Of course limo service to and from her hotel, fresh flowers and fruit plates were included in the Rider. On Saturday night she closed her first set with “Why Don’t You Do Right”, Julie London style.

Retiring for an hour to her dressing room, she threw on a shortie robe. There was note by her fruit plate. It read: “The evil oceanic spawn of SinMonto Corporation, MerSin, turned the Art Gowns models into mermaids.”

“He’s headed to where the Rio Grande meets the Gulf of Mexico. His intention; to feast on the fishermen who gather & hang out there.”
She had only 1 hour! Rene Rosso quickly morphed into Princess Blue Holly.
(ONE begins the morphing)

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She looked into her Tangle-Heart for the fastest route. Resa’s Cottonwood marked the shortest path to Tingley Beach; enter the water there, swim to the Rio Grande and surface when it met the gulf.

Princess Blue Holly ran at super speed. She was so fast that no one could see her, as she flew past Resa’s Cottonwood tree.
At Tingley Beach, she jumped into the water, and morphed into Princess Blue Holly Mermaid.

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Using her Turbo-Tail Fin at full speed, she would arrive in the Rio Grande within moments. She would be at the Gulf of Mexico within minutes.

END OF PART 2 – STAY TUNED FOR PART 3.

Photos of Holly’s Tangle-Heart & Resa’s Cottonwood © Timothy Price
⭐️
Princess Blue Holly & Rene Rosso characters & tales © Resa McConaghy & Holly Rene Hunter
⭐️
Drawings of Princess Blue Holly & Rene Rosso © Resa McConaghy

What Suits Art Gowns?

Darlings! Rene Rosso here, in a suit! Can you believe it?

However, it’s an Art Gowns suit. So when Holly and Resa asked me to host this post, I said “okay!” Still, how did this happen? Well, there was no multi-medium paper at the art store. Resa had to buy a sketch pad.

 It’s been awhile since Resa just pencil sketched. She was excited to rise to the occasion, & started with Shehanne Moore in a Town Suit, very 1980’s come 1930’s.

Then it was GiGi’s turn to model this ultra-uber, never seen before style. No one can wear an imaginary time unknown suit like Gi! (Above)

Craving some colour, Resa added ballpoint pen and turquoise ink pen bows. There was no way I was going to wear a suit with bows! Holly had no choice but to model it.

The musicians were going wild downstairs when Resa came up with a Crazy Free Style Art tulle skirted suit for Marina Kanavaki. Having a colour meltdown, Resa went nuts with felt pens. They soaked through 3 pages of paper, and she had to iron the sketch.

Resa should have drawn me in the above suit. DARN!

This Art Gowns Suit is more like it. Now, I can work on the next song being added to my repertoire “Sweet Love”. I’ve been very inspired listening to Anita Baker sing it.

Their names are hot in the descriptions under the suits they have modelled. They all have fab blogs to visit.

Rene Rosso Character © Resa McConaghy & Holly Rene Hunter

Mermaid Holly will be hosting the next Art Gowns post. It’s a feature on Art Gowns Mermaids with surprise guest Mermaids. Don’t miss out!

Eye’ll see you there!

Art Gowns does Schiaparelli on Barbie

Did you ever notice how one thing can lead to another?

Yes! Well, that’s exactly how my old Barbie got an Art gown.

 In Art Gowns spirit, nothing new was purchased for this project. Barbie’s Art Gown is made from a circa 1970 Schiaparelli tie, from my stash. The print size is perfect.

It all began on a visit to The Vintage Toy Advertiser blog. Ford had done a Barbie post, and Barbie has some fab gowns.

 Solo in the Spotlight & Enchanted Evening are my 2 faves. I would only change the fur stole, to a velvet stole.

Ford agreed I could do an Art Gowns/Barbie post. I’d make a gown, and he would supply photos from his collection. That was awhile ago, but once I found the Schiaparelli tie, it was a go.  

That led to, who is Schiaparelli?

Elsa Schiaparelli  was an Haute Couture designer. She collaborated creatively with Salvador Dali & Jean Cocteau. She was Coco Chanel’s direct competition between the 2 wars.

Elsa Schiaparelli was the first woman Fashion Designer on the cover of Time Magazine. Click on the pic of the cover to read about her insanely fascinating life, on the official site!

 Both ends of the tie were lined in Schiaparelli’ embossed “shocking pink”. The colour is Schiaparelli’s inspiration & instigation. She became famous for it.

Here’s the tie!  It was deconstructed, and pressed flat. Barbie was then draped in the bias cut fabric.

I used the “shocking pink” tie lining to line the tail of Barbie’s Art Gown.

I also made Barbie’s necklace, bracelet and earrings. Her shoes were lime green, so they got painted blue. Her hair was a disaster. I did a braided top knot with curly crown burst.

Here are more fab photos Ford took from Barbie’s catalogues.

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Again, one thing leads to another! The gowns are all very beautiful, and no one can say they are “Fast Fashion”. “Fast Fashion” has become a major pollutant, along with its best friend plastic.

Rene Rosso got into the her best Barbie torch gown look, with “shocking pink” accents. She’d like to share her favourite version of  “Smoke Gets in Your Eyes”, a standard she’s been working on.

Our point is, don’t let the lust for “Fast Fashion”, be a smoke that gets in your eyes.  Choose “Sustainable Fashion”!

OUTTAKES

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Having an official Art Gown of her own has gone to Barbie’s head. She has decided to throw a dinner party for all of the Art Gowns.

Photos from Barbie’s Catalogue © Ford, TVTA

Art Gowns and all Art Gowns pics & stories © Resa McConaghy

Rene Rosso character © Resa McConaghy (w/ Holly Rene Hunter)

One of Ford’s posts was on California Barbie. I was impressed with the opening beauty shots, as much care had been taken with the lighting.

Click on the above beauty shot, and go to TVTA’s Barbie category, and see all the Barbie posts.

Of course, one beauty shot leads to another!

Art Gowns Gallery Project

Where can I take the Art Gowns?

{Painted canvases are atop, the original pics are below.}

It would take someone savvy to wear an Art Gown. Fact is, some of the back tails are 7′ long. There can be side tails and front tails. Of course, I can tame tails for a fashion show.

 Well, I had 10 of the photos I took for their blog printed on canvas. Then, using iridescent acrylic paint, I high-lit,  filled and/or embellished the canvas.

Of course, with the iridescent paint, one needs to view the paintings from certain angles in various lightings.

I have done 10 paintings in this “Art Gowns Iridescent” collection.

I entered them in an art show, but have never heard anything back. Friends say I am too, niche, more unique than they can sell.

 I’ll be doing a second 10 piece collection. The chosen Art Gowns will be printed in black and white. Strong colours will be abstractly influenced.

Anyway, good chance of getting in a show in about a year, and I will have 2-10 piece collections.

For now, here are 5 of the 10 canvases I have done. The iridescent quality is insanely difficult to capture. Did my best. I’ll post the other 5 later.

Below, “Art Gowns Iridescent” pieces are side by side. The original is on the left. The canvas print with iridescent paint is on the right.

Can you see the difference?

MYSTIC LAKE

 

 

 

 

 

 

 

 

LA ESENCIA DE TITANIA

 

 

 

 

 

 

 

 

AUTUMN ORCHID

 

 

 

 

 

 

 

 

ATHENA GRAFFITI GODDESS

 

 

 

 

 

 

 

MNEMOSYNE

(The only Art Gown piece unreasonable to display side by side)

Art Gowns & all Art Gowns Art © Resa McConaghy

2014 -2019

A new Art Gown has been started. I’m thinking 3 months, unless ……

Mademoiselle Emily

Did you ever channel a white cat, a wedding gown and  Jean Harlow?

Well then you know it comes out an Art Gown, and that Art Gown is dedicated to;

Georgiann Carlson from Rethinking Life blog. Georgiann’s blog is full of art, Chicklets, creative writing, flowers, Chicago, Emily and opinions.

Deciding it must be a Harlow 1930’s style movie star gown, dictated a bias cut.

Admittedly, being a rank amateur in working with bias, I was cursed with many problems. Nonetheless, it’s a challenge I’ve wanted to tackle for a long time.

Designers, like Chanel and Vionnet,  championed the anti-corset generation. Finally, women could feel more comfortable in their clothes.

At a liquidation sale, I found an 18″ wide bordeur lace for $0.50/yard.

What costs $0.50 these days? I bought 75 yards.

Thinking like a cat, I decided to shred the lace.

Using scissors for claws, I deconstructed the 18″ wide lace into many strips of lace; 3/4″ – 2″ wide. I also got many decals out of it.

The decal 2nd from the left, was gathered up into the flowers that adorn Mademoiselle Emily.

At the same sale, I found an old high quality satin coat lining for $0.75/yd.

The fabric was cut on bias, à la Madeleine Vionnet. (Click on left side pic  to read about this amazing designer.

The bias fell on the Judy for about 10 days, before it was cut into.

Mademoiselle Emily has many gorgeous angles.

 ⭐️Mini-Me has a special announcement! ⭐️

by Holly – House of Heart

She is fine

like Dynasty porcelain.

Her words are the chimes of

a host of carillons that ring

True and wise, as clear as bells.

Her hair is a storm

Of Harlow platinum

eyes, a deluge of diamonds.  

Not to give in to Winter

She winks  over her shoulder,

saunters Emmy’s catwalk

adorned in Chanel and Lavender. 

OUTTAKES

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Mademoiselle Emily looks out to the dining room. The other Art Gowns were aghast when she announced that there would be no dinner party, and that she would prefer to paint a portrait of each Art Gown.

Now, the Art Gowns are bickering over who will be first to sit for her!

We all know cats have 9 lives. Here are 9 tails, one for each of Mademoiselle Emily’s 9 lives: 1. a small pointed front tail w/ dagger  – 2. one handsome centre back tail w/ lace trim –  3. two side back tails of voile w/picot lace border – 4. 2 x side centre voile w/picot fluffs – 5. Center back fluffy tail

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Tails become tales in a who-done-it with humour, about a man becoming who he has pretended to be. I have it in my mind that there are 9 tales, like a cat has 9 lives. The next book is “eight black lives”.

Nicky is an actor, vain, jaded and tired of Hollywood fluff. He holes up, brooding in his New York apartment only to accept yet another “detective” role scheduled to shoot in his grey and gritty home turf. As stalkers move in and a real life murder taps him on the shoulder, Nicky enters a dangerous Neo Noir world. Peril looms to all those around him, including his love Lara and their unborn son. With the chill of premonition creeping over him, and wielding his “detective” skills, Nicky must awaken the true man within before time runs out.

You can read it for free. Just click on the cover and download the PDF.

Art Gown Mademoiselle Emily designed & made: © Resa McConaghy

Story & Character Art Gown Mademoiselle Emily © Resa McConaghy

Photos © Resa McConaghy

Poem: Gigi © Holly Hunter

♥️Thank you, Holly!♥️

🌹Many Thanks to Georgiann for all her inspiration. She has written 2 books. If you visit her blog you will see them on her sidebar. Click on them, and you will be able to buy them.🌹

Here is something I’ve never shown on Art Gowns, before now.

From the first scraps of an idea, to the end product.

It’s a long & fab journey!

Johnny photo bombs the shot when Resa tries to capture a dramatic moment with Mademoiselle Emily.

Goodnight!