After a successful Jazz Age fashion show, Blue Holly’s Tangle- Heart showed her a perfectly rosy pink magic tree sanctuary. She decided to see for herself.
She put on her new Sunny Day Super Hero outfit, for the occasion.
However, when she arrived, the perfect rosy pink was being swallowed slowly by darkness.
Looking to another horizon, the dark sky was giving up a portal. The moon marked the spot. Did the AGMs need to be rescued, again? Their beauty was a curse!
Slipping into her invisibility outfit, she slid through the portal. PBH was shocked to see her old enemy from Super Hero College. It was the insulting shape-shifting spirit, Chainelle; who had managed to usurp the spirit of R. Budd.
PBH took some time to eavesdrop.
“Why is everything so dark and murky?
How am I here? Why am I here? ”
“You aren’t here RB, only your spirit is here. Your lumbersome body is asleep in its bed. You are here to Art Direct a fashion show for the Live Nitoop Network. It will be broadcast over the entire Netherworlds.”
“It’s all Baby Bat SheyGoth’s fault! I was merely planning to usurp her spirit, as payback for her affair with DracGoth. Then I saw that hack, Rene Rosso, hosting the worst fashion show ever.”
“The spirits of the AGMs are backstage, getting dressed in fabulous gowns that I designed. I’ll be shape shifting into mine.”
“Dahlings, welcome to the end all of fashion shows! I’m Chainelle your glorious producer and designer of all the Zombie Theme Gowns you see here tonight. Take it away Rebecca!”
“Thank you, Chainelle! It is with great disconcertion that I present the AGMs in fashions from Erebos.”
“First out on the runway is Gigi. Gigi looks totally not amused. You can’t see them, but the heels of her stilettos are actual stilettos.”
“AGM Holly can barely walk in this prisoner style gown with brick heavy tail. These bondage gowns are quite popular here in Erebos.”
“It’s not AGM Shey’s fault that Drac Goth left Chainelle for her. Nonetheless, she’s stuck here with the rest of us.”
“Check out the accessory of chain, crosses, skulls and spikes. These cost a small fortune in blood, apparently.”
“Marina’s gown is replete with a live snake chained to her arm. Good work, Chainelle!”
“AGM Dale feigns happiness in this, erm, treacle sweet gown designed by you know who.“
“Next out on the catwalk is …Blue Holly in a gown!!! Yay!! Pack it up girls, we’re going home!”
“Hello Chainelle. First send the AGMs and RB’s spirits back to their beds! Then I’m going to thrash you”
Chainelle went wild, shape shifting into a new gown every half second.
“That’s hardly a fair fight. What’s say I send the AGMs & RB back, and we meet for a showdown?”
“Fine! Where and when?”
“Gulf of Mexico, by the coral off the coast of Texas. Tomorrow, noon!”
Blue Holly looked into her Tangle-Heart, and could see the AGMs & RB on their way home.
“Okay, coral…. High noon!”
Rene Rosso spoke to the AGMs & RB from Nowhere & Nothing World, her go to place when dealing with Netherworlds denizens, and their prisoners.
“It will be night when you get home. It will be dark on the way.” Here’s some night travelling music to keep you safe.”
“Hack …my foot! Just to let Chainelle know, as a professional Diva, I can change gowns, hair and make-up in one minute: and I don’t have to shape shift!
Dahlings! Rene Rosso here, welcome to the Jazz Age!
Defined by writers, performers and artists of the time such as F. Scott Fitzgerald, Josephine Baker and Thomas Hart Benton, it was more than a Gatsby, Paris or New York moment. So let’s get the full string of beads from our glorious Art Director, Rebecca Budd.
Thank you, Rene! We know the Flapper dress was the cat’s meow and the Charleston was the hoofer’s delight. Still, we should acknowledge that Vionnet and Chanel were the first designers to get rid of the corset, defining the silhouette of the era. Palazzo pants made their debut, and the cloche hat was the keenest.
Here to show you what gowns were all about are the Art Gowns Models! First out on the catwalk is Gigi. Gigi wears a hand painted silk georgette dress, with asymmetric tiers, accentuated by hand rolled satin rattail.
AGM Marina is a Deco Delight in her Gloria Swanson inspired fish tail gown. The fish tail is made completely of metallic gold diamonds, and spills gracefully out onto the floor.
I’d like to take a moment here to acknowledge the brilliant work of “The Beauty Team”. On loan from The Coop; hair, make-up and wardrobe have done an outstanding job.
It was a tough job for Wiggy, to create all those Marcel Waves on the AGMs, who refused to have their hair cut. Nonetheless, between her skill and ingenuity, all the AGMs are finger waved.
Jamie copied the smouldering eyes of the era. Thanks to Clara Bow, eyebrows were severely plucked and pencilled in thin. Of course none of the AGM’s could afford to have their eyebrows plucked due to upcoming runway dates, but Jamie managed a faux look.
Judy did a masterful job making faux feathers out of scrap fabrics, for any trims and boas. Instead of fur, she trimmed Miss Rosso’s velvet Opera Cape, with a lusher napped velvet.
Back on the runway, AGM Dale shows off hand embroidered trims with jewel insets, in this fun design. A cloche hat adds elegance.
Holly works poetry in this AGM must show black silk crepe gown. Its lines are defined with the latest ribbon imports from Europe.
AGM Shey’s gown, made from a glorious silk jacquard, is reminiscent of the late 20’s as the drape flows into the bias cut of 30’s.
I now hand the stage back to Ms. Rosso!
Thank you, RB! I’m thrilled to present our guest performer of the evening. Here’s the bee’s knees, Lala LaSwirl. Lala has been touring the opera circuit under the name “Soprano Charlotte Hoather”! Tonight she will sing Quando M’en Vo from La Bohème by Giacomo Puccini.
Thank you, dahling Rene! I’m thrilled to be here. I could imagine the character, Musetta, wearing this Art Gowns outfit, as it is very glamorous. I could imagine a director selecting the dress if the setting for the performance was the 1920’s era.
After the show, Ms. Rosso was to attend to a Gatsby themed party in a bias cut dress & velvet opera wrap. In a fun mood, she sang along with her favourite entertainer of the era, Josephine Baker.
Out of the blue, RR’s 6th sense slapped her in the face! She stopped dead in her tracks.
She looked into her Tangle-Heart. My, my she thought, things look quite sweet and rosy. It’s, idyllic, so perfect. Something is wrong!
Dahlings, I know look simply marvellous in this pic of my Ziegfeld Follies gown. Sad, but it was lost with all my luggage while on tour 3 years ago. Now, it is my thank you Art Gown.
I adore the new cover for Shey’s book –The Viking and the Courtesan
Let it be known that Shey’s heroines possibly are: strong willed, hard headed, lie, cheat, steal, connive, duplicitous and able to hide a corpse in the cellar. Intrigued? Just click on the book cover and go to her Amazon page!
Ever wonder how to capture mother nature in an Art Gown? After all, there are many aspects to her.
To name a few, she’s Dogmatic & Powerful
Cloudy & Moody
Sunshine & Sunsets
Seasons & Storms.
Then let me introduce you to Tim, to whom Belle Grâce is dedicated. Tim shares all that mystic with us, via photographs from his magic tree sanctuary.
Belle Grâce is constructed from yards & yards of liquidation curtain sheers. At $0.50/yd. the fabric was an Art Gown in waiting. Acetate lining scraps sent to the Art Gowns fabric bin, by a long time friend, were paired with the sheers.
First a full skirt liner was fashioned to fit over the Art Gowns Crinoline. The same Crinoline is used for all full skirted Art Gowns. Then a bodice was draped on the Judy.
Using tailor’s tacks, the drape was opened up, creating a pattern. Again using tailor’s tacks the shape was repeated on a stiff under lining. The goal was to create a corset look, without using boning.
The sheers were gathered and and attached to the over skirt. A diamond of beaded self satin was added to the bodice.
The result – Belle Grâce
Belle Grâce loves all lighting.
The diaphanous layers of sheer over satin solids make for a lot of opportunities.
The natural light this time of year is glorious, as it pours through the windows. A DOP once pointed out to me, you can’t replace the sun.
A gluttony of Outtakes
Here are some of Tim’s spectacular, Art Gowns inspiring photos.
All trees featured in the slideshow have been dedicated to someone. I am pleased to say that all of the AGMs & AG Art Director, Rebecca Budd, have a magic tree of their own.
Magic Hour Back Light
If you click on the Thank you, you’ll visit Holly.
Art Gown Belle Grâcedesigned and handmade by Resa McConaghy – 2021
Princess Blue Holly descended gracefully into Otherworld.
She was led by her Tangle-Heart. A moonless night was falling, as it watched over the defoliated magic trees.
Upon arrival, Blue Holly adopted the garb of the common peoples of Otherworld. She wandered tirelessly through a dark, eternal 3 a.m., searching for SheyGoth.
At first the song was far away, but PBH followed the music. AGM Shey was an incurable romantic. She was sure SheyGoth was behind the music.
As PBH drew near to SheyGoth, DracGoth intercepted.
“Princess Blue, I call you out! You are not in your league here. You have few powers to do anything. SheyGoth is here of her own free will. She can only leave of her own free will. We are Otherworld lovers.”
Blue Holly faced him dead on, albeit a tad cheeky.
“Was it the red hair that tipped you off? Look, I just want to talk to SheyGoth!”
SheyGoth appeared behind her Goth lover.“Princess Blue, I have no desire to talk with you!”
PBH replied, “then at least speak with Rene. You owe her that much. She made you, and all of the Art Gowns Models international celebrities.”
Driven by her love for all her AGM sisters, SheyGoth conceded. Blue Holly chose Nowhere & Nothing World, for the meeting. SheyGoth slipped on a simple gown, thereby becoming AGM Shey for the occasion.
A hologram of Rene Rosso appeared. “Come home dear Shey!”
“Remember the gowns, the colours, the joys of the catwalk? Remember Holly, Dale, Marina & Gigi? Remember how all the AGMs help each other? They wait for you! Rebecca Budd says she can’t do another show without you!”
AGM Shey’s memories filled the air around her. Soon her true colour came back.
AGM Shey looked at RR, and asked,”Will you sing “Once I Was Loved”, by Melody Gardot?”
DracGoth was frantic. “SheyGoth, don’t leave me! I love you! I need you! We are Otherworld lovers!”
“Sorry, Dahling! As much as I love our loving, there is no colour, no daytime, no any other time but 3 a.m. here. The Girlfriends and Gowns are calling. Dahling, you can come up and see me any night! I’ll wait in the dark for you.”
With that, SheyGoth slowly faded into a golden glow. The golden glow was cast upon the leafless magic trees.
Soon AGM Shey’s tree and all other magic trees were green again.
Darlings! Rene Rosso here, in a suit! Can you believe it?
However, it’s an Art Gowns suit. So when Holly and Resa asked me to host this post, I said “okay!” Still, how did this happen? Well, there was no multi-medium paper at the art store. Resa had to buy a sketch pad.
It’s been awhile since Resa just pencil sketched. She was excited to rise to the occasion, & started with Shehanne Moore in a Town Suit, very 1980’s come 1930’s.
Then it was GiGi’s turn to model this ultra-uber, never seen before style. No one can wear an imaginary time unknown suit like Gi! (Above)
Craving some colour, Resa added ballpoint pen and turquoise ink pen bows. There was no way I was going to wear a suit with bows! Holly had no choice but to model it.
The musicians were going wild downstairs when Resa came up with a Crazy Free Style Art tulle skirted suit forMarina Kanavaki. Having a colour meltdown, Resa went nuts with felt pens. They soaked through 3 pages of paper, and she had to iron the sketch.
Resa should have drawn me in the above suit. DARN!
This Art Gowns Suit is more like it. Now, I can work on the next song being added to my repertoire “Sweet Love”. I’ve been very inspired listening to Anita Baker sing it.
Their names are hot in the descriptions under the suits they have modelled. They all have fab blogs to visit.
Is the line between love and hate so fine you can’t see it? If you can’t see it, can you cross it?
Some women are attracted to bad boys. Are some men attracted to bad girls? What if a good boy became a bad boy? What if a bad girl became a good girl, even when she was bad?
That’s just part of the passion play in O’Roarke’s Destiny. The intrigue, mystery and small matter of an effective curse cast by Diver’s O’Roarke is the story’s action.
It’s 1801, Cornwall; a time when women needed men, more than men needed women. Or, so society knew. 1801, Cornwall; Destiny Rhodes needs no one, nor anything: save Doom Bar Hall, its servants, Aunt Modesty’s porcelain, Lord Tredwynne’s antique armour, Grandfather Austell’s stuffed parrots, garlands in the hall at Christmas, her garden and all the embroidered pillows sewn up mended. At least that’s what Destiny was thinking.
However, it all seems somewhat moot after Divers O’Roarke wins Doom Bar Hall, from Destiny’s drunkard brother, Orwell.
It’s a world of smugglers, pirates, excisemen and extreme danger, yet, Destiny needs only her instincts. She’s in over her head, but owns a drive to do what has to be done to get to the bottom of what is going on, and retain a position to remain at Doom Bar Hall.
Still, Lyons busted her illegal casks of spirits. Who tipped him off? Mostly, why did Divers O”Roarke take the fall for her?
💥 BREAKING NEWS! 💥
There’s gowns in the story.
Tragically, Destiny’s dear husband Ennis, while in his carriage, had cascaded to his death into a ravine.(credit to the curse) Now, Destiny is in an eternal mourning in black. On top of it all, she has pined away her body’s curves, and chopped off her luscious long black hair.
Divers O’Roarke wants her, but black is for widows. He has won Doom Bar Hall … fair & square? So, her gowns are his, to sell at his pleasure. Yet, his pleasure is far from the few bits of coin he could get for the gowns. What he wants is to see Destiny, in any gown other than widow’s black.
Eventually, Destiny must wear a gown for him. She dons her least sexy gown, which is in Egyptian blue. (I don’t have that colour in my caddy, but I came up with an eau de nil). This colour is not her best, possibly her worst, definitely her most disliked.
Yet, what Divers O’Roarke wants is to see her in her most vibrant and glorious red gown. Will she wear it?
1. How did the idea of a curse come up? Are you superstitious, dabble in say; Tarot or Astrology? How/why did the curse entail everything turning to dust? Why not turn to toads, a lowly insect or even a hamster? (a little cheek)
Oh, now there was a time I did some work for a psychic journalist. I did once say what haven’t I done writing wise and other way wise when it comes to earning a crust. And yes I also did some Tarot work for her too as part of that. So I did learn the cards. At that time I also could do card readings from playing cards. I had a great aunt who could do the tea leafs. That totally fascinated me growing up. I think much as we may mock it, we do want to know a bit about what’s ahead, that HOPEFULY there’s a corner that will be turned or some good luck coming. As for the curse idea? Well, the book started about a house that the heroine had lost. And that idea came from us having to sell up our family home and me jokingly saying to a friend, I should just have flung myself in with it as a housekeeper. Then I thought BINGO idea for a book here. And it started out as fun and frothy but there were things on the table that weren’t right. Like why didn’t the hero just put her out? How can he be so besotted with this family when they were horrible to him as a child? Was light and frothy going to sustain a book? Then for some reason I saw their pasts and how and why he had cursed her and how everything had then gone wrong in her life since. Everyone she cared about has died. So she gets this name locally that way. Now if only I had thought beyond the box though, you are right. He should have said may everything you touch turn into a hamster dude. But then she’d have been overrun. That might have been a worse curse.2. Your use of humour helps in feeling the underlying intense emotional states of Destiny and O’Roarke. With Destiny it’s the simple practical day to day things she plans to do the next day. With O’Roarke, it’s what to dig his grave with. Did you intend these character’s personal thoughts to be a humorous relief? Or did it just turn out that way?
No. Firstly I always like to use humour of thoughts. We all have them, let’s be clear. Maybe not about graves and what to dig them with etc., but we do have little idiosyncrasies and of course we are not always aware of them either. And I also know my readers expect to have a few giggles. So I couldn’t not. My characters always have some kind of wee saying or attitude. One heroine had sliding scales of things. Another would sooner swallow a crocodile than do whatever and as the book went on, that list grew and grew. One hero–my most impatient one–had Christ on various things. I did feel this book would be a bit dark if I didn’t have these bits. They are neither of them in the best place emotionally. However I then have the prob of her being a widow and I did NOT want to tackle it by having her thinking well, she was widow, thank God, because she had every reason not to have loved her husband. I felt that was a get out. So I thought if I had her, having been hit so hard that her way through is to line up tasks and tick the boxes, that that actually could prove quite humorous, especially if she’s so busy lining up these tasks, while people keep ‘getting in her face’ she doesn’t see how deep the waters are getting. It was like a wee you may think wink to my readers she’s going to be incandescent with rage the way my other ladies would be, but you are in for a surprise here. She’s too busy thinking she has that cushion cover to sew and that stool to mend. In a way these are the things that also need to be prised loose from her fingertips.
3. I’m fascinated by “Doom Bar Hall”. How did you come up with that name? Had you considered calling it “Rhodes Hall”?
Doom Bar Hall was called after Doom Bar sandbar in Cornwall. Given I wanted to write of curses and smuggling, and not such great emotional states, I wanted something dark sounding and it is quite a fearsome sandbar I gather, responsible for hundreds of ship wrecks down the years. Originally before I went from frothy to dark, from Hampshire to Cornwall geographically, the house was called Lavistock and the book title was the Lady of Lavistock. Divers wasn’t called Divers O’Roarke either at that point. I just felt all round this was stronger. I do like to create a pervading mood and landscape for each book. This became the one here.
Resa, I want to thank you not just for inviting me here today, but your wonderful friendship AND the talent and readiness to use it to create gowns, for all those you create gowns for AND that includes my ladies. They and I salute you.
Here’ s the first drawing I did of Destiny. I was trying too, hard with the chopped off hair look. Yet, I still like it, because she looks like a pirate courtesan, with hair for an eye patch. Yet, perhaps this is a more correct visual introduction to Destiny.
Shehanne Moore is a native of Scotland, Dundonian by birth. She is the author of many Romance novels.
Having read 3 (almost 4) of her books, I can say her attention to the details of an era puts one in a different time and place. You don’t question it. You are there.
As for the flame of love she burns with her words, I suggest you read a book to see the fire!
Click on the pic below, to buy O’Roarke’s Destiny on Amazon!
A cover for one’s book can be as daunting as writing it. After a great search, Shehanne found the image below. The colours were wrong, but they were made right.
Eye’d like to thank all who took the time to read this post. Love you all!
Did you ever feel like you were sculpting an Art Gown?
Well, that’s exactly how I felt building Queen Isabella.
Dedicated to my sweet friend Isabella: I said to her and T, I want Isabella in the title, but with another word.
Without hesitation, T said “Queen”. Without hesitation, it made sense to me.
Isabella is creative, and supports all arts. She’s a wife, a mother and devoted to her family & friends. She throws dinner parties fit for the Art Gowns.
As Art Gowns must reuse, up-cycle or repurpose, I challenged Isabella to donate something she’d been hanging onto for years, but didn’t use anymore.
She challenged me back, and gave me a very textured dress. The colour made me think of a purple peacock, if such a creature exists.
I dismantled it, and draped the texture on a different angle. The bodice texture demanded a skirt to surpass it. The Art Gowns’ crinoline was pressed into service.
To make mock feathers, random strips were cut from a vintage curtain lace. Acrylic paint with fabric medium was daubed on irregularly. This created a visual texture. Partial ruching created volume, and a feeling of ruffled feathers.
Flowers were made, using leftover bits of the painted lace.
I love it when she’s backlit.
Or on an overcast day
Or at night, in a dark room, when she stands under one ceiling light.
For her first dinner party with all of the Art Gowns, Queen Isabella has decided on live guitar music.
Fourth in my series of “Art of Past Art Gowns” is Flora Blanca. It is my intention to artistically express all of the Art Gowns, after the fact.
Flora Blanca was inspired by my niece, Sherrie, who is my muse/model for this rendering.
Flora Blanca is embellished with flowers, and is herself designed in the shape of an Orchid.
She is one of the most popular Art Gowns.
Above are the 4 Art Gowns I have rendered, to date. Click on thumbnails, for larger views. So far, each has a muse/model. For Artemis & Mnemosyne it is Aquileana. Lady Anne is Holly & Flora Blanca is Sherrie.
Turns out we both adore the poetry of Leonard Cohen, especially his poem, “Suzanne”. I was moved to depict Holly, as Suzanne. Above, Holly Suzanne, is expressed with stained glass hair.
Above is my first Holly Suzanne. Then a friend asks, why are your girls all so disproportionally tall and thin?
Well, I studied at a Fashion College. That’s where I learned to draw tall and thin. Nonetheless, I made a stab at a Holly Suzanne with more normal proportions. (above). It feels awkward, to me. Which do you like better?
You can click on the poem to enlarge it for reading, OR Click on the polaroid of “Resa and the Rock Star” to read the poem in its original glory on Holly’s blog!
Last Art Gown post, Contess Fiori, featured spotlights on 2 of my fave Romance Authors. These 2 writers are very prolific. Both have released new books since.
Shehanne Moore released His Judas Bride, and is re-releasing The Unravelling of Lady Fury with this new cover!
Look at those gowns!
Click on the covers & be transported to Amazon where you can buy a paperback, or ebook. Lady Fury link to be added once Shey formally re-releases it!
Carolee Croft has released the 3rd book in her trilogy about Ariella, a powerful warrior when women weren’t warriors.
I’ve read book one, and I loved it! Click on the covers to go to the .com Amazon to buy a paperback, or Ebook. The Trilogy is also available on Amazon in the U.K., Canada, and Australia.
The next “Art of Past Art Gowns” rendering will be “Ballroom Lux”. She won’t be blonde, promise!
“Never judge a book by its cover, unless there’s a gown on it.”
Genre: Historical Romance.
Much like a game of chess; this tale has moves, and counter moves. Is it checkmate, or stalemate? Read the book to experience the final play!
Although a woman in days when women were mostly property, Splendor finds a self chosen path. She will marry Gabe, the man of her breast’s heart. He will become a man of the cloth. Together they will help the poor.
Enter: the Earl of Stillmore, a chessboard, two Kings, two Queens, four Bishops, four Rooks, four Knights and sixteen Pawns.
Shehanne’s characters are vivid, interesting and all with purpose. I particularly adore the settings she recreates of time and place. I’m amused by the very appropriate, and humorously creative names Shehanne has given her characters. All throughout the novel her wry sense of humour prevails, but never assails nor assuages.
The thing is, it is romance. It’s romance with all the ardour lovers find in love’s wake. The main scene of passion is quite worth the reading and waiting for. It reaches just a tad deliciously beyond cutting to waves crashing on rocks, fireworks or a volcano erupting.
Furthermore, the Art Gown in me feels a hearty prick of the needle at the main peril Splendor puts herself in. Drawn like a moth to the flame of fine silk every time she passes Madame Renare’s shop and without means, Splendor finds herself sinking deeper into debt. T’is dire! The turnkey of the debtor’s prison workhouse is upon her doorstep.
“In italicized quotations” are excerpts from the book.
“Mrs. Ferret set the beribboned hair comb Splendor had found impossible to resist, the robin’s egg blue one with the tiny cream rosettes attached,”
A bill is presented:
“She had spent a little money, it was true. She hadn’t meant to, but now she was back in credit again. Why shouldn’t she have the odd this and that?”
Splendor is a Fashionista:
“she had perhaps gone a little far with the silk parasol and the shoes to match, but if she hadn’t, Topaz would have stolen them and ended up in Newgate. Then there was the matter of just how respectful Madame Renare had been when she’d seen the address and the name, the new one she’d furnished herself with. Lady Winterborne, Countess of Stillmore.”
Although unrequited, Splendor retains her arrogant impudence:
“And that comb, this peignoir, the new day dress with the lace insert in the bodice, were all very nice. Too nice to leave feeling neglected in the shop. And the comb had been reduced by half a guinea. She had saved him half a guinea by buying it.”
❦ ❦ ❦ ❦ ❦
I needed to ask Shehanne, whose blog runs the tagline “Smexy Historical Romance”, a few questions.
1. What does SMEXY mean?
A…an easy one this. It means smart and sexy which I like to think my heroines are even though they can behave incredibly stupidly at times.
2. Where does the historical location inspiration come from… the castles and halls near where you live?
I squirrel. I find locations and ideas everywhere. With Loving Lady Lazuli– another book in the series–it was from visiting Mount Grace Priory, especially the monk’s cell there. It’s in Yorkshire actually and not what we’d know as a cell either. Catterton House in Splendor was based on a Georgian cottage where I then lived in Newport-On-Tay, except it wasn’t a cottage. It was a mansion build down the cliff face.
3. London Jewel Thieves – Where will I be able to read the ongoing serial?
As we speak Loving Lady Lazuli which features Sapphire as the heroine and Ruby and Pearl as her sidekicks, is being formatted for kindle.. Now I have my rights back to this series I will be giving you the stories of Diamond, Jade and Amber. I may even yet turn Ruby into a heroine. I have an idea there.
Shehanne Moore is an author who writes historical romance novels. If you visit her Home Page , you will find out about all of her books.
Take some time to visit Shehanne’s Blog Page, and you will realize that a very cute Pack of Hamsters have hijacked her book reviews, interviews and other relevant endeavours. If you haven’t visited her blog, you should. You will enjoy the Hamsters & get to read a fab post! As crazy as it seems, I was inspired to draw a Hamster in a hamster gown, Hamstor Splendor. I hope Shehanne & all of her Hamster pals enjoy it!
You can pre-order “Splendor” in ebook format, on Amazon! It comes out October 1, 2018, with a hard copy following soon after.